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Song Of The Day by Eric Berman – The Jukebox Series #40 – ? And The Mysterians: “96 Tears” b/w “I Can’t Get Enough Of You Baby” – Abkco 45 RPM Single 4020 (U4/V4)

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Song Of The Day by Eric Berman – The Jukebox Series #40 – ? And The Mysterians: “96 Tears” b/w “I Can’t Get Enough Of You Baby” – Abkco 45 RPM Single 4020 (U4/V4)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Who are ? Mark and the Mysterians…that is the question.

? And The Mysterians formed in 1962 and was the first Latino Band to score a major hit record in the U.S. with today’s jukebox classic. They were purveyors of rough and raunchy garage rock from Bay City, Michigan, and their signature chart-topping “96 Tears” was released in 1966 selling over one million copies. The song was recorded in the living room of a house in Saginaw Michigan.

The original band consisted of Robert Balderama on guitar, his cousin Larry Borjas on bass, Robert Martinez on drums and his brother Rudy Martinez on vocals. Rudy Martinez went under the name “? Mark,” so as to remain anonymous and the rest of the group took their name from a Japanese sci-fi film called The Mysterians. Further adding to the intrigue, the band always wore dark shades.

As they were getting ready to record their first record, Robert Martinez was drafted and Borjas enlisted along with him. As a result, the band added Eddie Serrato on drums and Frank Lugo on bass. Crucially, they also recruited a fourteen year old piano player named Frank Rodriguez. It was this lineup that recorded their signature hit “96 Tears,” which was written by Rudy Martinez who supplied the sturdy Vox Continental organ riff that drives the song.

The song had its genesis from a poem Martinez wrote fourteen years earlier called “Too Many Teardrops.” It was originally intended to be the flip side of their debut single, however Rodriguez insisted that the track be the A-side. The single became a regional hit on the Pa-Go-Go record label and was later picked up for national distribution by Cameo-Parkway Records.

The song has been covered numerous times including a version by Garland Jeffries from his 1980 album Escape Artist that received significant FM radio airplay. It was also covered by David Byrne, The Cramps, Eddie and the Hot Rods, Aretha Franklin, Big Maybell, Thelma Houston, The Modern Lovers, Iggy Pop, the Music Explosion, the Residents, The Stranglers, Suicide, Tom Tom Club and Todd Rundgren’s Utopia.

Can’t Get Enough Of You Baby,” the flip of today’s jukebox single shares the exact same organ introduction as “96 Tears.” The song was released as a single in 1967 where it peaked at #56 on the Billboard Singles Chart. It has been covered by Frankie Valli And The Four Season, The Colourfield and Smash Mouth who brought the song to the #14 position of the singles charts in 1998.

The group splintered in the 1970s and the original lineup reformed with Robert Martinez replacing Serrato on drums, due to his condition suffering from multiple sclerosis. A concert was recorded in Dallas, Texas in 1984 and was released by the ROIR records as The Dallas Re-Union Tapes.

The group’s original Cameo-Parkway albums came under the ownership of uber-manager Allen Klein (The Beatles, The Rolling Stones, The Animals) who let them go out of print and kept them off the market for many years, thinking they would become more valuable to him in the future. As a result, a different lineup of the group re-recorded the 96 Tears album for the Collectables record label in 1997.

After playing shows as part of Cave Stomp, a festival of reformed garage rock bands produced by New York promoter Jon Weiss, they released another live album.  The band recorded their final album of new material called More Action in 1999 before acrimoniously parting ways with Weiss over dissatisfaction with the record.

The band still performs from time to time and has been featured on Steve Van Zandt’s influential radio show Underground Garage.

Today in Rock History – August 29

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1966, The Beatles played their last concert before a paying audience, at Candlestick Park in San Francisco, California to a sold-out crowd of 25,000. John and Paul, knowing what the fans do not, bring cameras on stage and take pictures between songs. Songs performed at the show were “Rock and Roll Music”, “She’s a Woman”, “If I Needed Someone”, “Day Tripper”, “Baby’s in Black”, “I Feel Fine”, “Yesterday”, “I Wanna Be Your Man”, “Nowhere Man”, “Paperback Writer”, and “Long Tall Sally.” Much of the existing film footage of the concert was captured in color by a 15-year-old Beatles fan, Barry Hood.

1967, The Who performed at Municipal Auditorium, Atlanta, Georgia.

1969, During a North American tour Led Zeppelin played the first of two nights at the Singer Bowl Music Festival in Flushing Meadow Park.

1970, Edwin Starr started a three-week run at number one on the US singles chart with “War,” his only number one.

1970, Led Zeppelin, The Youngbloods, Iron Butterfly and The Ides of March all appeared at the Man Pop Festival, Winnipeg, in Canada.

1970, Grand Funk Railroad, David Allan Coe, The Third Power played at The Warehouse in New Orleans, Louisiana.

1973, John McLaughlin appeared at Maple Leaf Gardens, Toronto.

1975, ZZ Top performed at Arrowhead Stadium, Kansas City

1976, Jimmy Reed died in San Francisco following an epileptic seizure just before his 51st birthday. Reed influenced artists such as Elvis Presley, Eric Clapton, Billy Gibbons, Hank Williams, Jr, Stevie Ray Vaughan, Jerry Garcia and the Rolling Stones.

1976, The Sex Pistols supported by The Clash and The Buzzcocks appeared at The Screen On The Green, London, England.

1977, AC/DC appeared at the fabled Whisky A Go-Go in Los Angeles.

1977, Three people were arrested in Memphis after trying to steal Elvis’ body. As a result, his remains would be later moved to Graceland.

1980, The Grateful Dead played the first of two nights at the Spectrum in Philadelphia, Pennsylvania.

1981, The two day Rock on the Tyne festival began in Gateshead, England, featuring Ian Dury, Elvis Costello, U2, Rory Gallagher, Doll By Doll, Wang Chung, Becket, Dr Feelgood, The Gingers Nutters (featuring Ginger Baker), Trimmer and Jenkins and Lindisfarne.

1981, The Allman Brothers Band performed at Memorial Hall in Kansas City, Missouri.

1982, The Charlie Daniels Band appeared at Merriweather Post Pavilion, Columbia, Maryland.

1984, U2 kicked off their Unforgettable Fire World Tour at Christchurch Town Hall in New Zealand, the first of 19 shows in Australia and New Zealand.

1987, Def Leppard scored their first UK number one album with Hysteria, which also became a chart topper in the US  in July the following year, after spending forty-nine weeks working its way to the top.

1987, Los Lobos started a three week run at number one on the US singles chart with “La Bamba.”  It was also a number one hit in the UK. The song came from film of the same name, a biopic of singer , songwriter, guitarist Ritchie Valens, who died in the 1959 plane crash that also claimed the lives of fellow musicians Buddy Holly and J. P. “The Big Bopper” Richardson, as well as pilot Roger Peterson.

1991, DJ Kurt St. Thomas from radio station WFNX in Boston gave Nirvana’s album Nevermind its world premiere by playing the album from start to finish.

1994, Oasis released their debut album Definitely Maybe, which went straight to number one in the UK Albums Charts on initial release. It was the fastest selling debut album of all time in the UK when it was released and went on to be certified 7x Platinum (2.1 million+ sales) by the BPI. Definitely Maybe marked the beginning of Oasis’ success in America, selling over one million copies there, despite only peaking at 58 on the Billboard 200. The album went on to sell over 10 million copies worldwide and brought widespread critical acclaim.

2005, 77-year-old Fats Domino was rescued from the flooding in New Orleans caused by Hurricane Katrina. He had earlier told his agent that he planned to remain in his home despite the order to evacuate.

Born on August 29: Dick Halligan Keyboards, flute, vocals, Blood Sweat & Tears (1943); Chris Copping, Procol Harum (1945);  Dave Malone, singer-songwriter , guitarist, The Radiators (1952); Rick Downey, Blue Oyster Cult (1953); Elizabeth Fraser, vocals, Cocteau Twins(1958); Michael Jackson (1958); Anton Newcombe,  singer-songwriter, guitarist, The Brian Jonestown Massacre (1967); Alex Griffin, Ned’s Atomic Dustbin (1971); Kyle Cook,  singer-songwriter, guitarist, Matchbox 20 (1973)

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Today in Rock History – August 24

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1966, The Doors started recording their self-titled first album at Sunset Sound Recording Studios, West Sunset Boulevard, Los Angeles, California. The Sunset Sound Recorders complex was created by Walt Disney’s Director of Recording, Tutti Camarata, from a collection of old commercial and residential buildings, some built more than 80 years ago. At the encouragement of Disney himself, Camarata began the project in 1958, starting with a former automotive repair garage whose sloping floor would tend to reduce unwanted sonic standing wave reflections

1967, 17-year old singer and guitarist Bruce Springsteen joined a group called Earth.

1967, The Doors performed at Public Auditorium in Cleveland, Ohio.

1968, The Incredible String Band, Traffic, Bonzo Dog Band, Family, Fairport Convention, Blossom Toes, Pretty things, Deviants, Blonde On Blonde and Free all appeared over two nights at The Roundhouse in London.

1968, Pink Floyd played the last date of a North American tour at The Bank, in Torrence, California.

1968, James Brown performed at Mid-South Coliseum in Memphis, Tennessee.

1969, During a North American tour Led Zeppelin appeared at the Veterans Memorial Coliseum in Jacksonville, Florida.

1969, Yes played at Club Paradiso in Amsterdam.

1970, The Who are at the Civic Hall in Woverhampton, England. They are joined onstage by John Sebastian, of The Lovin’ Spoonful, who is a houseguest of the Townshends at the time.

1971, Led Zeppelin appeared at Memorial Auditorium, Dallas, Texas.

1972, The Who appeared at the Scandinavium in Gothenburg, Sweden.

1973, The Allman Brothers Band played Three Rivers Stadium, Pittsburgh, Pennsylvania.

1974, Traffic made their last live performance at the annual UK Reading Festival. Other acts appearing that day included Georgie Fame and the Blue Flames, Greenslade, the Heavy Metal Kids, G.T. Moore, Thin Lizzy, and Procol Harum.

1974, Paul Anka with Odia Coates started a three week run at number one on the US singles chart with “You’re Having My Baby,” Anka’s 24th US top 40 hit. It made it to number six in the UK.

1975, Queen started recording “Bohemian Rhapsody” at Rockfield studio’s in Monmouth, Wales. The song was recorded over three weeks. Freddie Mercury had mentally prepared the song beforehand and directed the band throughout the sessions. May, Mercury, and Taylor sang their vocal parts continually for ten to twelve hours a day, resulting in 180 separate overdubs.

1976, AC/DC appeared at the Marquee Club, London.

1977, Singer, songwriter Waylon Jennings was arrested and charged with possession of cocaine. Jennings had recently been named an honorary police chief.

1979, Celebrating 30 years in show business, B.B. King played at the Roxy Club, Sunset Strip, Los Angeles.

1979, Rush played at Ivor Wynne Stadium, Hamilton, Ontario, Canada.

1980, Iron Maiden Whitesnake, Def Leppard, UFO, Gillan, Pat Travers Band and Rory Gallagher all appeared at the 20th National Rock Festival Reading Rock 80, England.

1981, Mark Chapman was given a 20 year jail sentence for the murder of John Lennon. The 25 year old had shot Lennon five times at close range on December 8th, 1980 in front of The Dakota apartment building in New York City. Over the next few months, Chapman would claim many times to have been beaten by fellow inmates, some of whom allegedly tried to kill him.

1982, King Crimson and Roxy Music appeared at the Velodromo, San Sebastián, Spain.

1983, David Bowie performed at the Scope, in Norfolk, Virginia.

1985, The Grateful Dead played at Boreal Ski Resort at Donner’s Summit, California.

1989, The Who performed Tommy at the Universal Amphitheatre, Los Angeles with special guests Steve Winwood, Elton John, Phil Collins, Patti LaBelle and Billy Idol.

1990, The three day UK Reading Festival kicked off, featuring, Faith No More, The Cramps, Inspiral Carpets, Pixies, The Fall, Jesus Jones, Ride, Dinosaur Junior, The Wedding Present, Billy Bragg and others. A three day ticket cost £35 ($56).

1998, Producer Gene Page died after a long illness. He worked with Barbra Streisand, Barry White, The Righteous Brothers, Dobie Gray, Bob and Earl. He produced Whitney Houston’s “‘Greatest Love of All,” and Roberta Flack’s “Tonight I Celebrate My Love.”

2001, Travis, Eminem, Eels, Green Day, Marilyn Manson, Supergrass, PJ Harvey, Manic Street Preachers, Weezer, Iggy Pop, Queens Of The Stone Age, The Cult, Frank Black, The Strokes, Supergrass, Ash, Stephen Malkmus and Mercury Rev all appeared at the Carling Weekend Reading / Leeds festival. A three day ticket cost £80 ($128).

2009, The Los Angeles County Coroner ruled Michael Jackson’s death a homicide caused by a mix of drugs meant to treat insomnia. On February 8, 2010, Dr. Conrad Murray was charged with involuntary manslaughter by prosecutors in Los Angeles. Dr. Murray pleaded not guilty and was released after posting $75,000 bail, but would be found guilty in November, 2011 and was sentenced to four years in a Los Angeles County jail.

Born on August 24: David Freiberg, bass, Quicksilver Messenger Service, Jefferson Airplane,  Jefferson Starship (1938); Ernest Wright, Little Anthony and the Imperials (1941); John Cipollina,  Quicksilver Messenger Service (1943); Jim Capaldi (1944); Ken Hensley, Uriah Heep (1945); Molly Duncan, sax, Average White Band (1945); Jean-Michel Jarre, instrumentalist (1948); John Cowan, bass,New Grass Revival, The Sky Kings, The Doobie Brothers (1951); Oteil Burbridge, bass, The Allman Brothers Band, Tedeschi Trucks Band, Col. Bruce Hampton and The Aquarium Rescue Unit (1964)

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Today in Rock History – August 7

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1965, Herman’s Hermits went to number one on the singles chart with “I’m Henry VIII I Am.” The single was only released in the US. Singer Peter Noone once interviewed Elvis Presley for UK music paper New Musical Express.

1965, Mike Smith of the Dave Clark Five suffered two broken ribs when he was pulled off the stage by a fan in Chicago.

1965, The Turtles’ remake of Bob Dylan’s “It Ain’t Me Babe” was released. It reached the eighth spot on the US charts, and became the title of their first album as The Turtles.

1968, The Who performed at the Wollman Skating Rink Theater in New York City.

1969, During a North American tour Led Zeppelin appeared at the Berkeley Community Theatre, California.

1970, Ten Years After, Jethro Tull, Cactus, Grand Funk, Alice Cooper, The Youngbloods, and others played at the  Strawberry Fields Festival, held at Mosport Park in Bowmanville, Ontario, Canada.

1970, The Goose Lake International Music Festival was held in Leoni, Michigan. Over 200,000 fans attended the three day festival. Acts who appeared included Mountain, Chicago, Bob Seger, John Sebastian, James Gang, Stooges with Iggy Pop, Brownsville Station, MC5, Rod Stewart and the Flying Burrito Brothers

1971, Hawkwind appeared at Under The Arches in London.

1971, The Bee Gees started a four week run at number one on the Billboard singles chart with “How Can You Mend A Broken Heart?” It was the group’s tenth hit, and first chart topper.

1971, The Who were to have played the Yale Bowl in New Haven, Connecticut but it is canceled by the local government, due to the concert’s proximity to a planned Black Panther rally. Instead, The Who play one more night in Boston.

1972, Yes performed at the PNE Coliseum, Vancouver, Canada.

1974, Peter Wolf from The J Geils Band married actress Faye Dunaway in Beverly Hills the marriage ended in divorce five years later.

1975, ZZ Top plays the Calderone Concert Hall, Hempstead, New York.

1976, Elton John and Kiki Dee were at number one on the US singles chart with “Don’t Go Breaking My Heart,” giving Elton his sixth chart topper. It was written by Elton John without Bernie Taupin under the pseudonym “Ann Orson” and “Carte Blanche.”

1976, Elton also headlined the annual Summerfest concert at Rich Stadium in Buffalo, New York. Supporting acts were John Miles and Boz Scaggs.

1976, UK music weekly Melody Maker gave The Sex Pistols their first front cover.

1977,  AC/DC played at the Hollywood Sportatorium, Pembroke Pines, Florida

1978, Aerosmith appeared at Comiskey Park in Chicago.

1979, Chicago performed at Hersheypark Arena, Hershey, Pennsylvania.

1980, The Allman Brothers Band headlined at the Greek Theatre, Los Angeles.

1981, Bruce Springsteen played at the Capital Centre, Landover, Maryland.

1982, Dexy’s Midnight Runners were at number one on the UK singles chart with “Come On Eileen,” their second and last chart topper. It was the Best-selling single of 1982 and the song won Best British Single at the 1983 Brit Awards. The “Eileen” as featured in the video is Máire Fahey, sister of Siobhan Fahey, former singer with Bananarama and Shakespeare’s Sister. The American singer Johnnie Ray, mentioned in the opening lyrics, was also featured in the video using old film footage. The song was used in the films Tommy Boy (1995), This Is England (2006), Get Him to the Greek (2010), Take Me Home Tonight (2011), The Perks of Being a Wallflower (2012,) and the TV shows Spaced and Hindsight.

1982, The Grateful Dead play the first of two nights at Alpine Valley Music Theatre in East Troy, Wisconsin.

1982, Fleetwood Mac started a five-week run at number one on the US album chart with Mirage. The band’s third US chart topping album.

1984, American soul singer Esther Phillips died from liver and kidney failure in Carson, California in 1984, at the age of 48. She had the 1975 hit single “What A Difference A Day Makes.”

1993, Pete Townshend appears at the Brooklyn Academy of Music during his Psychoderelict tour.

1997, Garth Brooks played to the largest crowd ever in New York’s Central Park. An estimated one million people attended the live concert with an additional 14.6 million viewing live on HBO.

2001, Harmonica player Larry Adler died aged 87. Known for his original collaborations with George Gershwin, Kate Bush, Sting, and Vaughan Williams, and his own virtuoso performances.

2008, Elvis Presley’s peacock jumpsuit, was sold at auction for $300,000 (£187,500), making it the most expensive piece of Elvis memorabilia ever sold at an auction. The white outfit with a plunging V-neck and high collar featured a blue-and-gold peacock design, hand-embroidered on the front and back and along the pant legs.

2011, Marshall Grant, who played bass for Johnny Cash in the Tennessee Two, from 1954 to 1980, passed away at the age of 83. After his time with The Man In Black, Grant managed The Statler Brothers until they retired in 2002, and later wrote an autobiography entitled I Was There When It Happened.

Born on August 7: Felice Bryant, songwriter, Everly Brothers (1925); B.J.Thomas (1942); Kerry Chater, Gary Puckett and the Union Gap (1945); Rodney Crowell (1950); Bruce Dickinson vocals, Iron Maiden (1958); Kristin Hersh,  singer, guitarist, Throwing Muses (1966)

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Song Of The Day by Eric Berman – “Don’t Let’s Start” by They Might Be Giants

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Song Of The Day by Eric Berman – “Don’t Let’s Start” by They Might Be Giants

You can’t bottle creativity, but in the case of They Might Be Giants, you certainly can buy it! They were two wild and crazy nerd-boys when they burst onto the scene in the mid-1980s, we just didn’t realize how wild and crazy they really were.

The two Johns: Flansburgh and Linnell have always looked at the world through different glasses than the rest of us, and it has manifested itself in some of the most creative ways to hear music. Case in point was “Dial-A-Song,” where you could call a phone number and hear a new original song on an answering machine…every day! The call was to a Brooklyn exchange, so they came up with the tag line “Free when you call from work” to publicize the service. This went on for several years.

“Dial-A-Song” got them signed to their first record deal and today’s Song Of The Day comes from their debut album released in 1986. Once they conquered your telephone, it was only a matter of time before TMBG discovered the internet where they were amongst the first groups to use the medium to publicize and distribute their music.

With songs like “Birdhouse In Your Soul,” “Dinner Bell,” “Why Does The Sun Shine (The Sun Is A Mass Of Incandescent Gas),” and “Older” in their repertoire, it was only a matter of time before they got into the children’s music game releasing the album No! in 2002. They’ve since released several more children’s record insuring that their original fan base would take their kids to see them some day.

Indeed, I fulfilled my duty as a parent and took my own kids to see them in 2002 when they were eight and five years old respectively. On the road, they perform adult and kids shows at most tour stops and they also have a penchant for debuting newly written songs about each town they’re performing in each night.

The two Johns are still very active today on stage and off where they regularly record and release enjoyable and inventive podcasts. If you’ve never heard their records or seen their shows, you really should before you grow up, or even worse, they do!

Song Of The Day by Eric Berman – “Empty Lives” by Graham Parker

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Song Of The Day by Eric Berman – “Empty Lives” by Graham Parker

He was never a punk rocker and was already around too long to be part of the “New Wave,” but marketing is marketing and that’s how much of the world came to discover Graham Parker.

By the time of Squeezing Out Sparks, his 1979 breakthrough album, Parker had already been recording with his trusted band The Rumour featuring Martin Belmont, Brinsley Schwarz, Andrew Bodnar, Bob Andrews and Steve Goulding for several years, and had classic albums like Howlin’ Wind (1976), Heat Treatment (1976) and Stick To Me (1977) under his belt.

But like fellow journeymen Nick Lowe, Dave Edmunds and Elvis Costello, the music machine had to put them somewhere, so new wave, punk rockers they became. Sparks was Parker’s most consistent album and it benefitted by the promotion that accompanied a label change in America from Mercury to Clive Davis’ Arista imprint.

By the recording of Parker’s second album for Arista, The Up Escalator from 1980, Bob Andrews was out of the band and members of the E Street Band (including Bruce Springsteen) participated in the recording sessions which were helmed by producer Jimmy Iovine. Escalator would also be the first album credited to just Graham Parker. The record was his highest charting album, but was not as well received as his previous release.

Here’s a live version of the album’s signature track from the now-defunct TV show Fridays. Throughout the 1980s and to the present, numerous albums on numerous record labels including Elektra, RCA, Atlantic, Capitol, Razor & Tie and Chicago’s own Bloodshot Records (where he’s recorded his last several albums) have been met with declining sales, but no decline in quality of performance and songwriting.

In fact, Parker’s releases over the last ten years have been his best yet.

Song Of The Day by Eric Berman – “I Can’t Stand It” by Chris Whitley

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Chris Whitley’s short, restless career encompassed folk, noise rock, jazz, country, mainstream rock and the blues. He was discovered by producer Daniel Lanois who helped him score a major label record deal with Columbia Records in 1988.

His first album, Living With The Law was a mainstream rock affair with good songs that gave him radio exposure, but it wasn’t until his second album and third albums, Din Of Ecstasy and Terra Incognita that Whitley came into his own with great songs ensconced in noise.

After being dropped by Columbia he began releasing records independently including his covers album Perfect Day where he was backed by Jazz musicians Chris Wood and Billy Martin (of Medeski, Martin & Wood). He also released some terrific solo acoustic records that are well worth seeking out.

Not only was Whitley a great songwriter, but he also had a knack for choosing interesting covers by artists like Bob Dylan, Kraftwerk, Gary Numan, Prince, The Clash, Nat King Cole, The Doors and many others. Today’s Song Of The Day is “I Can’t Stand It” one of his more inspired covers originally by The Velvet Underground. The track is from his War Crime Blues album which was originally released ten years ago.

Whitley died of lung cancer in 2005. He leaves behind his daughter, Trixie who has recorded several records under the name Black Dub with Daniel Lanois. She has also released four solo albums to date.

Song Of The Day by Eric Berman – Selections from “Popshopping Volume 1” by Various Artists

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Song Of The Day by Eric Berman – Selections from “Popshopping Volume 1” by Various Artists

Popshopping is a compilation of German TV commercial production music from the 1960s and 1970s. Compilation producers Sir D’Oeuvre and Senor 45 collected these tracks from flexi discs and dusty TV production tape vaults.

Many may consider this music nothing more than a bunch of blaring, dated background noise, but to others (including me), this is highly stylized and inventive music created by some of Germany’s finest composers including Christian Bruhn, Max Meir-Maltez, Klaus Wuestoff, Gert Wilden and Johnny Teupen.

Today’s Song Of The Day includes Christian Bruhn’s music for Ford Capri, Ford Taurus and “Komm In Fahrt” for Hansa-Pils commercials (all 1973), Klaus Wuesthoff’s “Swing A Little, Kim A Little” (1967), Klaus Doldinger’s “Wild Freshness” (1970) and Max Meir-Maltez’s music for Moulinex (1972). All of the tracks collected here are exceedingly groovy, as is the companion compilation to this one, Popshopping Volume 2!

Song Of the Day by Eric Berman – Album Review: “The Cautionary Tales Of Mark Oliver Everett” by Eels

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Song Of the Day by Eric Berman – Album Review: The Cautionary Tales Of Mark Oliver Everett by Eels

(Editor’s note: This review originally was published on April 29, 2014)

I love Eels. Mark Oliver Everett (aka “E” aka “Eels”) is a terrific songwriter with an interesting back story which has become the basis for subject matter on his finest albums including Hombre Lobo, Blinking Lights And Other Revelations, Daisies In The Galaxy, Electro-Shock Blues and Souljacker.

However, Everett has been making essentially the same record now for the last few years, and as a fan of the man and the band, most of the records have much to offer especially upon repeated spins. Yet this year’s model, The Cautionary Tales Of Mark Oliver Everett is a ballad-laden entity, totally bereft of the gnarly rockers that many have come to love Eels for.

Eels have been very prolific over the last few years and what initially seemed like a boom for fans several years ago when they released three records in the span of 12 months has now begun to weigh heavily on the quality of their output which is getting a little tiresome. The suite of three albums from 2011-12 focused on three different aspects of Everett’s life: lust (Hombre Lobo), middle age (End Times) and optimism (Tomorrow Morning). Unfortunately, on Cautionary Tales, we get to reexamine the very same relationship territory in a musically much less interesting manner.

Don’t get me wrong, E is always good for a few classic Eels songs per record, and this one is no different with tracks like “Parallels,” “Where I’m From,” “Answers,” “Series Of Misunderstandings” and “Mistakes Of My Youth,” all early contenders for a coveted place high within the Eels canon. But there’s a sameness to the new Eels material that’s hard to shake making it also very hard to get through. (C’mon E! Eels records shouldn’t be and never were a chore to listen to!)

Gone are the hummable melodies, ecstatic outbursts of pure abandon and wiggy instrumentation that has traditionally made most of Eels output a joy to listen to. In its place is a collection of mostly acoustic based songs that don’t change that dynamically from one to the other. Add to that, E’s growl of a voice has gotten rougher and less emotional which also weighs down this collection of stylistically very heavy and downtrodden songs.

The album is framed by three tracks, the superfluous opening instrumental “Where I’m At,” “Where I’m From” in the center of the record, and “Where I’m Going” at the end, however the feeling one gets from listening to the whole record is “I’ve been here before and I’m still in the same place.”

Adding to the album’s thirteen track tune stack is an additional seven new tracks (plus six live songs from their Wonderful Glorious tour) on the bonus addition. That’s twenty new songs adding up to some serious (and I mean very serious) material to sift through.

The Cautionary Tales Of Mark Oliver Everett is the opposite of Eels last wonderful and glorious outing Wonderful Glorious. It would be great if the upcoming Eels tour featured a solo acoustic segment where many of the new songs would benefit from an intimate presentation, however as the latest chapter in the Eels story, you should proceed with caution with Cautionary Tales.

FULL ALBUM:

Song of the Day – “The Mercy Seat” by Johnny Cash

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Song of the Day by Eric Berman – “The Mercy Seat” by Johnny Cash

By the year 2000 and the third album in the American series, Johnny Cash had reestablished himself as one of the greatest singers, not just in country music, but in all music. Producer, Rick Rubin, began working with him several years before and allowed Johnny Cash do what he did best in the studio…be JOHNNY CASH!

Cash began working with Rick Rubin in 1994. Rubin was the founder of Def Jam Records, and was responsible for producing seminal recordings by Public Enemy and The Beastie Boys. It must have taken quite a leap of faith for Johnny Cash to, not only work with Rick Rubin who was much younger than him, but to put his career in his hands.

When they first began working together, Cash’s career was pretty much over. He had recorded several ho-hum records for the Mercury label during the mid-to-late 1980s that were nothing special, and even resorted to re-recording some of his older hits for the label. I caught Cash in concert in a small New York City bar back in 1986 when he was touring behind the album Water from the Wells of Home. His career was so far off the mark, that the place was not even half full, although I must say that he was terrific. The performance was marred by his proclivity to allow his son and wife to take precious concert time away from the main attraction, in order for them to perform their own material.

Rubin’s whole modus operandi with Cash was to make bare guitar and voice recordings that would highlight what a great interpreter of material he was. In doing so, Rubin sent Cash tapes of songs he liked, exposing him to material he had never heard by the likes of Tom Petty, Beck, Soundgarden, U2 and Nick Cave, who wrote today’s Song of the Day by Eric Berman.

For American III: Solitary Man, Rubin assembled an all-star list of backing musicians including Norman Blake, Mike Campbell, Randy Scruggs and Marty Stuart on guitar, Tom Petty, Merle Haggard and Shreyl Crow on backing vocals and Bentmont Tench on organ. “The Mercy Seat” is probably Cash’s most harrowing recording, even more so than Nick Cave & The Bad Seeds’ original from their 1988 album Tender Prey.

Of the five American Recordings albums, not to mention the five CD Cash Unearthed box set with more Rubin/Cash collaborations, the American III: Solitary Man album is one of the most enjoyable on every level mainly because of its superb choice of cover songs by Tom Petty (“I Won’t Back Down”), Neil Diamond (“Solitary Man”) and U2 (“One”). Together, Cash and Rubin formulated a record that kept Johnny Cash not only relevant with the hip cognoscenti, but also true to himself as a recording artist.

And as for what Nick Cave thought about Cash’s cover, his pride oozes out of every word in the following quote… “It doesn’t matter what anyone says, Johnny Cash recorded my song.”