Five songs every Friday, picked by real people. New psych and prog discoveries, deep cuts, and what’s playing on Acid Flashback Radio this weekend. Free, straight to your inbox.
The fact that Brian Wilson’s eponymously titled album was ever completed was seen as nothing short of a miracle back in 1988 when it appeared in the record racks. After more than a decade of inactivity in which Wilson spent most of…
Read the full storyEvery station hand-curated by real music obsessives. No recommendation engine. No mood manipulation. Just great radio.
Psych, prog, jam bands, krautrock, emerging artists — the tracks that never make mainstream playlists but define entire genres.
Every day, a story plus a track plus a station tied to what happened on this date. Context that makes music come alive.
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The songs you grew up with, the stories behind them and the legends who made them.
From 60s acid rock to modern neo-psych. The sounds that expand consciousness.
Interviews and deep cuts from the bands who broke every rule in the book.
Interviews with today’s jam bands, plus the Grateful Dead, Allman Brothers and Garcia songs that started it all.
Interviews and discoveries from independent bands worth knowing.
Inside the Melbourne psych trio’s fuzz-heavy world with guitarist Zak Olsen.
Angus Dowling on sun-soaked Byron Bay psychedelia and keeping it analog.
Bassist Sam Lucid on improvisation and the Asbury Park jam scene.
How a four-track demo about a horse on a farm became one of the most distinctive bass lines of the era.
McCartney met the real Rita on Abbey Road. The song's secret weapon: a comb-and-tissue-paper kazoo solo.
A Bob McDill song that Garcia made his own. How a Nashville songwriter ended up in the Dead's repertoire for 20 years.
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