Five songs every Friday, picked by real people. New psych and prog discoveries, deep cuts, and what’s playing on Acid Flashback Radio this weekend. Free, straight to your inbox.
Aimee Man has been creating articulate character sketches in song since the 1980s when she was MTV-marketed as part of the group ‘Til Tuesday and could regularly be seen (heavily made up) singing “Voices Carry” sandwiched between Milli Vanilli and Culture Club…
Read the full storyAcid Flashback runs on listeners like you. Help us stay licensed, and see who we pay.
Every station hand-curated by real music obsessives. No recommendation engine. No mood manipulation. Just great radio.
Psych, prog, jam bands, krautrock, emerging artists — the tracks that never make mainstream playlists but define entire genres.
Every day, a story plus a track plus a station tied to what happened on this date. Context that makes music come alive.
Get the best of it all — one email, every Thursday.
The songs you grew up with, the stories behind them and the legends who made them.
From 60s acid rock to modern neo-psych. The sounds that expand consciousness.
Interviews and deep cuts from the bands who broke every rule in the book.
Interviews with today’s jam bands, plus the Grateful Dead, Allman Brothers and Garcia songs that started it all.
Interviews and discoveries from independent bands worth knowing.
Inside the Melbourne psych trio’s fuzz-heavy world with guitarist Zak Olsen.
Angus Dowling on sun-soaked Byron Bay psychedelia and keeping it analog.
Bassist Sam Lucid on improvisation and the Asbury Park jam scene.
How a four-track demo about a horse on a farm became one of the most distinctive bass lines of the era.
McCartney met the real Rita on Abbey Road. The song's secret weapon: a comb-and-tissue-paper kazoo solo.
A Bob McDill song that Garcia made his own. How a Nashville songwriter ended up in the Dead's repertoire for 20 years.
One email a week. Hand-picked stations, deep cuts, new discoveries, and today-in-rock-history moments. Free forever.