Weekly deep cuts, new psych & prog discoveries, and zero algorithm sludge — delivered straight to your inbox every Thursday.
This is the “Seinfeld” of songs, meaning that it is a song about…nothing! By the release of “Caribou” in 1974, Elton John’s career was so white-hot he could do no wrong. Hence, Elton unleashed a flimsy, tossed-off album chock full of half-baked…
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Psych, prog, jam bands, krautrock, emerging artists — the tracks that never make mainstream playlists but define entire genres.
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From 60s acid rock to modern neo-psych. The sounds that expand consciousness.
Long-form conversations with the musicians who broke every rule in the book.
Live music culture, setlist analysis, and the community that keeps it alive.
First listens, debut albums, and the artists about to break through.
Inside the Melbourne psych trio’s fuzz-heavy world with guitarist Zak Olsen.
Angus Dowling on sun-soaked Byron Bay psychedelia and keeping it analog.
Bassist Sam Lucid on improvisation and the Asbury Park jam scene.
How a four-track demo about a horse on a farm became one of the most distinctive bass lines of the era.
McCartney met the real Rita on Abbey Road. The song's secret weapon: a comb-and-tissue-paper kazoo solo.
A Bob McDill song that Garcia made his own. How a Nashville songwriter ended up in the Dead's repertoire for 20 years.
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