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Today in Rock History – May 30

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1964, The Beatles went to number one on the singles chart with “Love Me Do,” the group’s fourth chart topper in five months. The version released in America had Andy White playing drums while Ringo played the tambourine. The British single was a take on which Ringo played the drums.

1965, The Who performed at Mojo Club in Sheffield, South Yorkshire, England.

1965, The Rolling Stones played the final night of a US tour at the New York Academy of Music. During the afternoon the band recorded six songs for the Clay Pole TV show.

1966, The Beatles release “Paperback Writer” in the US.

1966, The Who appeared at Sincil Bank Football Ground, Lincoln, England.

1966, The Doors appeared at the Hullabaloo, West Hollywood, California.

1966, The Jefferson Airplane perform at a benefit for the Haight-Ashbury Legal Organization in San Francisco.

1968, Cream appeared at Eagles Auditorium in Seattle, Washington.

1968, The Beatles began recording what became known as the White Album. The double-LP whose official title was simply The Beatles became the first Beatles album released with the Apple label. The first track they recorded was “Revolution.”

1969, Pink Floyd appeared at the Fairfield Halls, Croydon, England.

1969, The Grateful Dead played at Springer’s Inn in Portland, Oregon.

1969, Led Zeppelin played the first of two nights at The Fillmore East in New York City.

1969, Neil Young & Crazy Horse performed at La Cave in Cleveland, Ohio.

1970, Frank Sinatra performed at the Mid-South Coliseum, Memphis, Tennessee.

1970, Ray Stevens went to number one on the singles chart with “Everything Is Beautiful.” The former DJ had a string of novelty hits, including “Guitarzan,” “The Streak,” and “Jeremiah Peabody’s Poly Unsaturated Quick Dissolving Fast Acting Pleasant Tasting Green & Purple Pill.”

1971, The Allman Brothers Band played at the State Fairgrounds Coliseum, Detroit, Michigan.

Roxy Music

1972,  Roxy Music play their first major date at Lincolnshire, England’s Great Western Express Festival.

1973, David Bowie appeared at the New Theatre Oxford, Oxford, England.

1974, Bernadette Whelan, a 14 year-old David Cassidy fan died of heart failure four days after attending a concert of his. Over 1,000 other fans had to be given first aid during the White City Stadium show.

1975, Aerosmith played at Cobo Arena, Detroit, Michigan.

1976, Rush performed at the Nelson Center, Springfield, Illinois.

1977, It’s the last chance to see Elvis play Florida as he appears tonight at Jacksonville’s Veterans Memorial Coliseum.

1978, Led Zeppelin begin recording In Through the Out Door.

1979, Yes performed at the Civic Center, Amarillo, Texas.

1980, Carl Radle, bass player with Derek and the Dominoes, died of kidney failure aged 38. Also worked with Gary Lewis & the Playboys, George Harrison, Joe Cocker, Dave Mason & Delaney and Bonnie.

1981, Pete Townshend plays a solo show at Brockwell Park in Brixton, England in support of a march against unemployment in Britain. He performs “A Little Is Enough” (twice due to bad PA mix,) “Cats In The Cupboard,” “Big Boss Man,” “Substitute,” “Corrina Corrina,” “Body Language,” “Join Together,” and “Let My Love Open The Door.” He is accompanied by Neil Abbott (guitar), Peter Hope-Evans (harmonica), Mark Brzezicki (drums) and Tony Butler (bass). Jim Capaldi comes out to do vocals for “Substitute.”

1981, ZZ Top played at the Birmingham–Jefferson Civic Center, Birmingham, Alabama.

1984, King Crimson performed at the Queen Elizabeth Theatre, Vancouver, Canada.

1987, David Bowie kicked off his 87-date Glass Spider world tour at the Feyenoord Stadium, Rotterdam, Holland.

1991, Morrissey played the first date on his debut Kill Uncle US concert tour at San Diego Sports Arena, California

1992, The Black Crowes went to number one on the US album chart with The Southern Harmony And Musical Companion.

2003, Record producer Mickie Most died aged 64. Member of The Most Brothers during late 50’s, and Mickie Most and the Playboys, produced hits for The Animals, Hermans Hermits, Donovan, Kim Wilde, Lulu and Jeff Beck. Most ran his own record label RAK in the 1970’s, having hits with Hot Chocolate, Suzi Quatro and Mud.

2005, Coldplay’s new album X & Y was illegally put on the internet a week before its UK and US release. The leak took place on the day copies were sent to UK radio stations, and the day before it went on sale in Japan.

2007, A leaked copy of the new White Stripes album Icky Thump was played completely on Chicago radio station WKQX 101FM. Jack White personally called the station from Spain, where he was touring, to voice his displeasure.

2009, Ozzy Osbourne was suing the band’s guitarist Tony Iommi over royalty payments. The 60-year-old had accused Iommi of falsely claiming to have sole rights to the band’s name which has cost him royalties from merchandise sales. Osbourne was seeking unspecified damages, lost profits and a declaration he is a half-owner of the trademark. Iommi claims Osbourne legally relinquished rights to the band’s name in the 1980s. Osbourne said he believed all four original members of the band should share Black Sabbath’s name equally.

2015, Jeremy Brown, guitarist for Scott Weiland and the Wildabouts, died of unknown causes at the age of 34. Brown began playing with the Stone Temple Pilots singer in 2008

Born on May 30: Lenny Davidson, The Dave Clark Five (1944); Geoffrey Lyall, aka Klaus Flouride, bass, vocals, Dead Kennedys (1949); Nicky Headon, The Clash (1955); Stephen Duffy, Duran Duran (1960); Tom Morello, Rage Against The Machine (1964);  Wynonna Judd, The Judds (1964); Thomas Callaway, aka Cee Lo Green (1974)

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Song Of The Day – “The Uncle Meat Variations” by The Mothers Of Invention

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45-adapter-logo2FrankZappaUncleMeat

Song Of The Day by Eric Berman – “The Uncle Meat Variations” by The Mothers Of Invention

Bach, Beethoven, Chopin, Dvorak…the alphabet of classical composers goes on and on…and then you come to “Z.”

May I offer “Zappa?” Yup, Frank Zappa…an artist whose music will be studied by serious composers for generations to come.

You don’t believe me? Then check out today’s Song of the Day by Eric Berman, “The Uncle Meat Variations” from Uncle Meat.

The Uncle Meat album was released in 1969 and was conceived as a soundtrack to a science fiction film that was never finished. The front cover sported the following subtitle: “Most of the music from the Mother’s movie of the same name which we haven’t got enough money to finish yet.”

A finished version of the film was released in the late 1980s bearing many of the scenes filmed for the movie and was rather incoherent. The double album was also planned as part of a suite of albums called No Commercial Potential that included the Mothers’ records Lumpy Gravy, We’re Only In It For The Money and Cruising with Reuben & the Jets.

Frank Zappa: “It’s all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definitely related.” (Zappa: A Biography – Barry Miles)

The Mothers consisted of Frank Zappa, Ray Collins on vocals, Jimmy Carl Black on drums, Roy Estrada on bass, Don Preston on keyboards, Billy Mundi on drums, Bunk Gardner on woodwinds, Ian Underwood on keyboards, Artie Tripp on percussion and Euclid James “Motorhead” Sherwood on saxophone.

The album is one of The Mothers’ and Zappa’s finest, and I opine that it will be studied by serious musicians for years to come.

So, “Roll over Beethoven, tell Tchaikovsky the news.”

“Fuzzy dice and bongos”…indeed!

Song Of The Day – “Rhapsody In Blue” by Paul Whiteman & His Orchestra

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paulwhitemanPaul Whiteman was one of the biggest selling artists of the 1920s, and led one of the best-loved sweet bands of all time. Sweet bands were society or café orchestras. They played music for listening and as a background for dining and conversing, as opposed to swing bands whose music was the main attraction and played specifically for dancing.

Many jazz fans frowned down on Whiteman’s sweet approach to music because he believed that Jazz music could and should be notated, rather than improvised. To that end, Whiteman wrote more than 3000 arrangements for his orchestra. Whiteman also liked to write for larger orchestras in a time when most dance bands consisted of 8-10 players.

However, no matter what the music snobs thought, he still sold more records than virtually anyone else during his time, and is well respected for his contributions to music today.

Some of his biggest records include the number one hits “Whispering,” “The Japanese Sandman,” “Wang Wang Blues,” “My Mammy,” “Hot Lips,” “Parade Of The Wooden Soldiers,” “Cherie,” “Say It With Music,” “Play That Song Of India Again,” “Do It Again,” “Three O’ Clock In The Morning” and “Linger Awhile,” and there were lots more from where these came from. However, Whiteman is probably best remembered for the commissioning and debut of today’s Song Of The Day, George Gershwin’s “Rhapsody In Blue.”

“Rhapsody In Blue” premiered on February 12, 1924 in New York at a show billed as An Experiment In Modern Music featuring George Gershwin on piano. The performance took place with John Phillip Sousa and Sergei Rachmaninoff present in the audience.

Whiteman recorded the piece twice. The original was recorded in 1924 acoustically with Gershwin playing the piano parts and released on Columbia Records. He recorded the piece a second time in 1927 electrically. That recording, released on the RCA Victor record label, was inducted into the Grammy Hall Of Fame in 1974. For today’s Song Of The Day, I’ve chosen the original recording with Gershwin on piano. There is also some great footage of Whiteman and the Orchestra performing this piece from the 1930 film King Of Jazz. Whiteman’s orchestral approach to Jazz on “Rhapsody” was a big influence on Miles Davis and Gil Evans and their seminal recordings Birth Of The Cool, Porgy And Bess and Sketches Of Spain.

Some of the greatest jazz men of their day either got their start or moved through Whiteman’s orchestra including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Jack Teagarden, Bunny Berigan and Fletcher Henderson. Paul Robeson and Billie Holiday both sang their way through his ranks, and Whiteman also billed a singing trio with the band called The Rhythm Boys whose members included a young Bing Crosby. Whiteman also provided music for six Broadway shows and was responsible for producing more than 600 recordings.

One of the finest compilations of Whiteman’s music was released by Collector’s Choice Music back in 1998, and is still readily available today.

Song Of The Day – “Seven Come Eleven” by Charlie Christian w/ The Benny Goodman Sextet

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charliechristianThe world of music is scattered with “what ifs,” such as “What if Waylon Jennings didn’t give his seat up to Buddy Holly on the ill-fated flight that took his life?,” or “What if John Lennon hadn’t been murdered…would there have been a Beatles reunion?”

One of the more intriguing what-ifs in my book is “What if a 25 year old guitar wiz by the name of Charlie Christian had lived a full life?” What kind of music can we have expected to come from him?

Well based on the two years of recordings he left behind with Benny Goodman, they would have been stunning to say the least. Case in point is this 1939 sextet recording with Benny Goodman on clarinet, Lionel Hampton on vibes, Fletcher Henderson on piano, Artie Bernstein on bass and Nick Fatool on drums. Listen to how tight the lead trio of clarinet, vibes and guitar are as they fly together in unison into the musical stratosphere.

What’s even more fascinating is that this recording was made during a time of uncertainty for Goodman. He had disbanded his orchestra due to medical issues a few months before. After enduring back surgery for acute sciatica (which was far more debilitating then than it is now), Goodman faced the task of putting a new band together after being out of circulation for months.

One of the first things he did was to put this sextet together with Charlie Christian, a new guitarist from Oklahoma he’d found through John Hammond. At the time, the electric guitar was not a common instrument in a big band, let alone in a sextet. Goodman took the opportunity to try something different and it paid off in spades.

Unfortunately, we’ll never really know the answer to this “what if” scenario, but at least we have the amazing recordings we do by Charlie Christian to marvel and ponder.

Note: While the YouTube video is labeled “Roast Turkey Stomp,” it is actually a 1939 live recording of “Seven Come Eleven” by Charlie Christian with The Benny Goodman Sextet.

Song Of The Day – “Jaan Pehechaan Ho” by Mohammed Rafi

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The 2001 film Ghost World opens with the female protagonist dancing along with this scene as she watches it on TV.

The scene is originally from the 1966 Bollywood movie Gumnaam. Mohammed Rafi was one of India’s most famous playback singers, a singer whose voice is prerecorded for use in the movies. His voice graced over 70 Bollywood films including this clip.

Today in Rock History – May 21

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who-anyway-anywhere-anyhow1965, The Who’s second single, “Anyway Anyhow Anywhere” backed with “Daddy Rolling Stone” is released in the UK on Brunswick. Derek Johnson in New Musical Express calls is “a wild racer, with just about every conceivable gimmick…it commands attention and should do well.”

1967, Jimi Hendrix signed with Reprise Records on the US Warner Brothers label. They released the guitarist’s three studio albums Are You Experienced?, Axis: Bold as Love, and Electric Ladyland.

1967, Pink Floyd was at Studio 3, EMI Studios, Abbey Road, St. John’s Wood in London to record songs for their debut album, Piper At The Gates Of Dawn.

1968, The Monkees appeared at The Olympia Stadium, Salt Lake City.

1968, Rolling Stone Brian Jones appeared at Great Marlborough Street Magistrates court, London on a charge of possession of marijuana, Jones was released on £200 ($320) bail.

1969, Yes played at Harrods Way Inn, London.

1970, Crosby, Stills, Nash & Young recorded “Ohio.”

1970, The Allman Brothers Band appeared at Seabreeze High School Auditorium, Daytona Beach, Florida.

1971, UK rock group Free announced that they were splitting up.

1971, King Crimson played at Regal Cinema, Cambridge, England.

1971, Paul McCartney releases his solo album Ram.

1972, The Doors, Pink Floyd, The Faces, Family, Curved Air, Atomic Rooster, The Kinks, Rory Gallagher, Uriah Heep, Country Joe McDonald, Buddy Miles, Status Quo, Brinsley Schwarz, Spencer Davis, The Strawbs and Humble Pie all appeared at the Second British Rock Meeting, Insel Grun, Germersheim, West Germany. The festival was due to take place in Mannheim, West Germany, but after protests from the locals, the concert actually took place in nearby Germersheim.

1973, David Bowie performed at the Theatre Royal, Norwich, England.

1974, Two would-be concert promoters were arrested by police on fraud charges in connection with selling mail order tickets for a forthcoming “Elten John” show. The misspelling help detect their fraud. Police took away over $12,000 in checks.

1975, ZZ Top appeared at Boston’s Music Hall

1976, The Rolling Stones begin a six-night stand at London’s Earls Court. Reviews of the show are the first to describe the band as “dinosaurs.”

1977, Rod Stewart was at number one on the singles chart with the double A sided single “I Don’t Want To Talk About It / First Cut Is The Deepest.’

1977, Stevie Wonder started a three week run at number one on the singles chart with his tribute to Duke Ellington, “Sir Duke,” his sixth US chart topper. It made it to number two in the UK.

1977, Grateful Dead performed at Lakeland Civic Center, Lakeland, Florida, a show that can be heard on Dick’s Picks #29.

1978, Black Sabbath played at City Hall, Newcastle, England.

1979, Elton John started a tour of Russia, when he played the first of eight concerts making him the first Western star ever to do so.

1980, A thief broke into Electric Lady Studios in New York City, the recording studio built by Jimi Hendrix and stole five Hendrix gold records.

1982, The Hacienda Club was opened in Manchester, England. Madonna made her UK TV debut at the club when C4 music show The Tube was broadcast live. It was home to many Manchester acts and Oasis, Happy Mondays, U2, The Smiths, Charlatans, James, M People, who all played at the club.

1983, David Bowie went to number one on the US singles chart with “Let’s Dance,” featuring blues guitarist Stevie Ray Vaughan. It was Bowie’s first single to reach number one on both sides of the Atlantic. The music video was made by David Mallet on location in Australia including a bar in Carinda in New South Wales, featured Bowie playing with his band while impassively watching an Aboriginal couple’s struggles against metaphors of Western cultural imperialism.

1988, Prince scored his first UK number one album with Lovesexy. The cover, based on a photo by Jean Baptiste Mondino, caused some controversy upon release as it depicts Prince in the nude. Some record stores refused to stock it, or wrapped the album in black.

1994, The Manchester United Football Club, along with Status Quo, were at number one on the UK singles chart with “Come On You Reds.”

2001, Producer, arranger and keyboardist Tommy Eyre died of cancer aged 51. He worked with George Harrison, Wham!, Dusty Springfield, and BB King. Eyre played and arranged Joe Cocker’s hit “With A Little Help From My Friends” and Gerry Rafferty’s “Baker Street.”

2006, Madonna played the first of three sold out nights at The Los Angeles Forum in California, the first dates on her Confessions Tour. The 60-date tour grossed over $260 (£162.5) million, becoming the highest grossing tour ever for a female artist.

2011, Adele went to number one on the US singles chart with “Rolling In The Deep,” taken from her second studio album, 21. The video to the song was nominated for seven MTV Video Music Awards nominations, “Rolling in the Deep” was also the Billboard Year End Hot 100 Number One Single of 2011.  The song received three 2012 Grammy Awards for Record of the Year, Song of the Year, and Best Short Form Music Video.

2013, Trevor Bolder, the bassist in David Bowie’s legendary 1970s backing band Spiders From Mars, died from cancer at the age of 62. Bolder appeared on the studio albums Hunky Dory (1971), The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), Aladdin Sane (1973), and Pin Ups (1973). He joined Uriah Heep in 1976, replacing John Wetton.

Born on this day: Fats Waller (1904); Tony Sheridan (1940); Ronald Isley, The Isley Brothers (1941); Martin Carthy, English singer-songwriter, guitarist,  producer, Steeleye Span, The Watersons, Waterson:Carthy, Brass Monkey,  Blue Murder (1941); Vincent Crane, keyboards, The Crazy world of Arthur Brown (1943); Leo Sayer (1948);  Stan Lynch, American drummer, songwriter,  producer, Tom Petty and the Heartbreakers (1955); Kevin Shields, American-Irish singer-songwriter, guitarist, producer, My Bloody Valentine, The Complex, and Primal Scream (1963); Martin Blunt, bass, The Charlatans (1964); Christopher G. Wallace, aka Biggie Smalls, aka Notorious B.I.G. (1972); Adam Gontier, Canadian singer-songwriter, guitarist, Three Days Grace, Big Dirty Band, and Saint Asonia (1978)

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Song Of The Day – “Wake Me Up” by Elvis Costello & The Roots

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elviscostelloandtherootsAfter the release of Elvis Costello’s last two T. Bone Burnett-produced albums, he was ready to throw in the towel on his recording career seeing no point in going back into the studio to create new records that nobody would hear. And as a long-time Costello fan of 36 years who suffered through those albums, I was beginning to sadly think that it might’ve been the right decision.

Fortunately, inspiration struck in the oddest of places while guesting on the Late Night With Jimmy Fallon TV show where The Roots have been the house band since the show’s inception. With a college of musical knowledge and a mutual love and thirst for all things sonic between Costello and Roots drummer, ?uestlove, a collaboration between the two seemed to be a match made in hipster heaven.

So, is this Costello’s hip hop album? Is it The Roots’ foray into punk rock?

Neither is true, but with his fedora tipped oddly to one side, Costello and The Roots have fashioned a narcotized, off-beat and off-kilter record drawing on both artists’ signature sound, while creating a groovy new sonic palate for all to taste.

Elvis: “It seemed like a good playground, a fabulous ride, to go in and play with a great band that has a broad-minded view of music. It felt like anything was possible.” ?uestlove: “We recorded a lot of it in our tiny little dressing room at 30 Rock, not a traditional studio, but Elvis had no hang-ups about that.”

In the spirit of sampling no doubt influenced by The Roots, Costello revisits his back catalog and repurposes lyrics from past songs for Wise Up Ghost’s tune stack. Once the novelty of playing spot the reference wears off, you’re still left with one of his strongest collections of songs in over a decade.

Today’s Song Of The Day (shown here from a the album’s kickoff concert in Brooklyn last week) plunders Costello’s 2004 track “Bedlam” from The Delivery Man and mingles it with the 2006 title track from his collaboration with Allen Toussaint The River In Reverse. “Stick Out Your Tongue” revisits the 1983 Imposter single “Pills And Soap” while incorporating “Hurry Down Doomsday (The Bugs Are Taking Over)” from his overlooked 1991 collection Mighty Like A Rose.

In the song “Refused To Be Saved” Elvis spits out lyrics from Mighty Like A Rose’s “Invasion Hit Parade,” as he approaches a rapper’s cadence accented by sharp horn blasts, and the stunningly beautiful urban doo wop of “Tripwire” hearkens back to the song “Satellite,” from Costello’s 1989 album Spike. One of the most beguiling tracks on the collection is “Cinco Minutos Con Vos,” a sinuous horn-infused duet with singer La Marisoul of the band La Santa Cecelia.

Elsewhere, The Roots’ influence shines through on the woozy funk of “Sugar Won’t Work” and the Princely soul of “Viceroy’s Row.” Their use of string arrangements to create a sonic tension in “Refused To Be Saved” and “Wise Up Ghost” create a symphonic funk sound reminiscent of classic Isaac Hayes.

And if to reassert his influence on the proceedings,  ?uestlove’s drums introduce many of the album’s songs including “(She Might Be A) Grenade,” “Walk Us Uptown,” and  “Viceroy’s Row,” exposing The Roots’ penchant for building songs up from the rhythm tracks first.

Costello and The Roots have created a soulful socially conscious musical bouillabaisse with Wise Up Ghost; a kind of a What’s Goin’ On and Superfly for the twenty-teens…and a record for the ages by both artists.

Song Of The Day – “Easy To Be Hard” by Lynn Kellogg

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HairMost rock fans know this song by Three Dog Night’s hit version, but here’s the original recording from the 1968 Broadway Cast of the musical Hair – The American Tribal Love-Rock Musical.

The show introduced the hits “Aquarius/Let The Sunshine In,” “Good Morning Starshine” and the title song which were brought to the charts by the likes of The Fifth Dimension, Oliver and The Cowsills respectively. All of the songs in the musical were written by Galt MacDermot, Gerome Ragni and James Rado.  MacDermot also wrote the music to the 1971 musical Two Gentlemen Of Verona and released several influential funk and instrumental jazz albums that are currently the rage amongst those “in the know” of the hipster cognoscenti.

I’ve been listening to this record since I was seven years old…way before I knew the meaning of “Sodomy,” “Hashish,” “Colored Spade,” “Walking In Space” and the numerous other titillating-for-their-time songs in this musical. It is indeed part of my musical DNA.

The cast album to Hair has managed to stand the test of time and the musical has enjoyed numerous successful revivals and tours around the world. The musical was also taken to the big screen in 1979 by director Milos Forman with choreography by Twyla Tharpe, introducing it to numerous later generations.

While I was too young to catch the musical on Broadway in its original incarnation, I did manage to see a revival on Broadway during the 1980s.

Song Of The Day – “Hey Hey My My (Into The Black)” by Devo w/Neil Young

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HumanHighwayQ: Where do the worlds of The Kingston Trio, Devo and Neil Young all collide?

A: In the film Human Highway, of course!

Human Highway was a dreadful film released by Bernard Shakey (aka Neil Young) in 1982. The move was filmed between 1978 and 1981 and it starred Neil Young, Dean Stockwell, Dennis Hopper, Russ Tamblyn and Devo. It was briefly shown in movie theaters upon its release and was never to be seen again until its home video release in 1995 on VHS. It is currently out of print.

While the movie is quirky and mostly incoherent, it is also very funny and somewhat entertaining in places. Devo were cast as Nuclear “Garbagepersons,” but getting into the convoluted plot that deals with a nuclear power plant and the last day on earth would be as convoluted as watching the film again.

Devo can be seen performing the Kingston Trio classic “Worried Man Blues” on the back of a truck and “Hey Hey My My (Into The Black)” with Mark Mothersbaugh in his “Booji Boy” guise on the vocals and Neil Young on guitar. In fact, it was in this performance that Mothersbaugh first uttered the words “rust never sleeps” that gave Young the title to his next record.

Song Of The Day – “Draggin’ The Line” by Tommy James

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tommy jamesTommy James and the Shondells were one of the most commercially successful singles groups of the 1960s, selling millions of record and placing bubblegum classics like “Hanky Panky,” “I Think We’re Alone Now,” “Mony, Mony,” “Crimson And Clover,” “Sweet Cherry Wine” and “Crystal Blue Persuasion” onto the upper echelon of the charts.

However, things came to a dramatic end in March of 1970, when Tommy James and the Shondells played their last concert together in Birmingham, Alabama. As James was leaving the stage, he collapsed and was initially pronounced dead after suffering a bad reaction to drugs. The band continued to tour without James for a time under the name Hog Heaven, while he retired to the country to recuperate.

While recuperating, James wrote and produced the million-selling single “Tighter, Tighter” for the group Alive And Kickin’ which reached #7 on the Billboard singles chart. James had originally intended on giving the group “Crystal Blue Persuasion” to record, but decided to keep it for his own group. As a result, he wrote “Tighter, Tighter” (with Bob King) for them instead.

Today’s Song Of The Day was originally released on James’ second solo album, the quasi-religious Christian Of The World. As is often the case, “Draggin’ The Line” wasn’t even considered to be released as the single, and was ultimately relegated to the B-side of the “Church Street Soul Revival” single. After DJs began playing the song, James went back into the studio to remix the record and add the horn charts. The song became James’ biggest solo hit reaching #4 on the Billboard singles chart in 1971. Playing on the single was James on guitar, Bob King (who co-wrote the track) on bass and Russ Leslie from the group Neon on drums.

The song’s title was seen at the time to be a veiled reference to snorting amphetamines, especially since James was no stranger to drug use. As far as drug references go, “Draggin’ The Line” could certainly be seen as the follow-up to “Crystal Blue Persuasion.” However, according to James “’Draggin’ the Line’ just meant working every day. Nothing really very mysterious about it.” The title of the song came from the bass line: “It’s almost like the bass guitar was speaking. And it just seemed to say ‘draggin’ the line’ to me. It’s weird. But we had the track before we had the song, and it was like the bass was speaking.” (Hmmm…wonder what he was on…)

The song also gave birth to the slang term for ecology minded people, “tree huggers” from the line “Loving a free and feeling spirit, hugging a tree when you get near it…” The song was also later covered by REM and featured in the Austin Powers movie The Spy Who Shagged Me.