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Song of the Day – “Savoy Truffle” by Ella Fitzgerald

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Song of the Day by Eric Berman – “Savoy Truffle” by Ella Fitzgerald

A few days ago, I featured Fats Domino’s recording of “Lady Madonna” from the 1969 album Fats Is Back. That record was produced by Richard Perry for Reprise Records, and today’s Song of the Day by Eric Berman follows Perry to the very next project he worked on, Ella by Ella Fitzgerald.

Reprise records of the late ‘60s was an artist’s haven due in no small part to the approach label head Mo Ostin took towards nurturing his roster. As a result, the label attracted top-shelf folk and rock attractions like Neil Young, Frank Zappa, Joni Mitchell, Jimi Hendrix, Fleetwood Mac, Ry Cooder and Arlo Guthrie.

But let’s face it, Reprise was once Frank Sinatra’s label and it always had a sweet spot for its easy listening releases. Under Sinatra’s leadership, the Reprise roster featured records mostly by him and cronies like Dean Martin, Sammy Davis, Jr., Bing Crosby, Rosemary Clooney and Jo Stafford. When Sinatra sold the label in 1963 to Warner Bros., the label came under the direction of Mo Ostin.

Under Ostin’s tutelage, the label’s easy listening roster grew hipper and included releases by Theo Bikel, Petula Clark, The Vogues, Gordon Lightfoot, Rod McKuen, Randy Newman, Dion, Harper’s Bizarre, Lee Hazelwood, Tom Lehrer, Mike Post Coalition and Kenny Rogers & The First Edition.

One of the label’s early strategies was to find worthy artists who had fallen out of the spotlight, and match them up with a sympathetic producer who could give their recordings a contemporary sheen. For Ella Fitzgerald’s Reprise debut, Ostin matched her up with producer Richard Perry.

Perry booked time at Olympic Studios in London and had Ella record no less than three tunes by Smokey Robinson, including a sumptuous take on “Ooh Baby Baby,” The Temptations’ “Get Ready” and a sultry and soulful version of “The Hunter Gets Captured by the Game.” And under Perry’s direction in choosing repertoire, she also turned in more than credible versions of songs by Randy Newman (“Yellow Man” and “I Wonder Why”), Bacharach and David (“I’ll Never Fall In Love Again”), STAX men Steve Cropper and Eddie Floyd (“Knock On Wood”) and Harry Nilsson (“Open Your Window”).

However, no late ‘60s career resuscitation could be complete without a couple of Beatle tunes thrown in for good measure, and on this album Ella sings “Got To Get You Into My Life” which had been covered by numerous artists, and George Harrison’s “Savoy Truffle,” which was covered by almost no one, making Ella’s version such a treat. Although Ella sang well throughout the album, no hits ensued and the album quickly went out of print.

For her second and last album for Reprise, Things Ain’t What They Used To Be (And You Better Believe It), Ella teamed up with the late, great arranger Gerald Wilson and producer Norman Granz to record a record with far more traditional jazz arrangements, while still offering some outstanding cover choices like “Sunny,” “Mas Que Nada,” “I Heard It Through The Grapevine,” “A Man And A Woman” and “Days Of Wine And Roses.”

Song of the Day – “Lady Madonna” by Fats Domino

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Song of the Day by Eric Berman – “Lady Madonna” by Fats Domino

Reprise Records was one of the labels to be on in the 1960s. What started out as the house that Frank Sinatra built, chock full of releases by his cronies like Dean Martin and Sammy Davis Jr., turned into Mo’s home when Sinatra sold the label to Warner Brothers in 1963, and Mo Ostin began to sign artists to the label. Ostin ran the label as a haven for artists, and under his aegis a hip cadre of musicians like Randy Newman, Joni Mitchell, The Kinks, Arlo Guthrie, Ry Cooder, Neil Young, T. Rex, Pentangle, Gram Parsons, Frank Zappa, Captain Beefheart, Gordon Lightfoot, Jimi Hendrix and many others, came on board.

Along the way, Reprise began to look into the not too distant past to revive a few careers, which brought both Little Richard and Fats Domino to the label. While neither artist delivered the hits that Reprise, no doubt had hoped for, they both cut terrific records for the label that came and went without a trace.

Richard Perry was brought on board as producer for Domino’s “Fats Is Back,” the first of his two Reprise albums. Perry surrounded Fats Domino with an all-star list of session musicians who were sympathetic to what Fats and Reprise were trying to achieve, which was to update his sound without changing too much of what made Fats a great artist. To that end, Fats was backed by King Curtis, Eric Gale, Larry Knechtel, Chuck Rainey, Hal Blaine, James Booker and Earl Palmer, with horn charts arranged by none other than Randy Newman.

Fats Is Back came out in 1968, and featured remakes of some of Domino’s own hits including “I’m Ready,” “Wait Till It Happens To You,” and “One For The Highway.” The album’s opening track is called “My Old Friends” and begins with a medley of snippets of some of Fats’ original hits, before fading into the new, up-to-date opening song that ends with the declaration that “Fats Is Back.” The album also features Fats covering the Barbara George hit “I Know” (later remade by Bonnie Raitt), a version of James Booker’s “So Swell When You’re Well,” and a couple of Beatles favorites– “Lovely Rita” and today’s Song of the Day by Eric Berman, “Lady Madonna” – which was Domino’s last chart hit.

It’s no surprise that Domino would take a crack at “Lady Madonna,” since Paul McCartney wrote the Beatles song in his style with an eye towards giving it to him to record. And Fats does not disappoint with his version, and for that matter, the rest of the tracks on this essential album.

Song Of The Day – “Piggies” by Theo Bikel

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theobikelBroadway and film star, folk singer, songwriter, civil rights activist, and back in 1969 Theodore Bikel attempted to add pop star to his list of credentials with the release of one bright and shining album for Reprise Records.

As a Broadway star, Theodore Bikel originated the role of Captain Von Trapp in The Sound Of Music on Broadway and he’s portrayed the role of Tevye from Fiddler On The Roof on stage over 2000 times. In film, he was nominated for an Academy Award for Best Supporting Actor in The Defiant Ones (1958) and also acted in The African Queen (1951) and Frank Zappa’s 200 Motels (1970) to name but a few.

He was one of the first artists signed to Jac Holzman’s upstart Elektra Records where he recorded 16 albums of ethnic folk songs throughout the late ‘50s and early ‘60s, helping to establish himself as a recording artist and the label as an entity to be reckoned with.  He also founded the Newport Folk Festival (with Pete Seeger, Oscar Brand and George Wein) in 1959 and became a civil rights activist in the early ‘60s and a delegate to the 1968 Democratic Convention.

He was signed to Mo Ostin’s artist friendly Reprise Records in 1968 where he was paired with hip producer of the day, Richard Perry to record the album A New Day where today’s Song Of The Day was culled. Perry’s stock in trade within the Warner/Reprise family was as a career revivalist. He worked with established artists who hadn’t had hits in awhile and put them into the context of what was currently happening in music. To that end, Perry recorded albums with Ella Fitzgerald, Fats Domino and Little Richard for the label, casting them all into a more hip and contemporary vein.

As he did with the others in his charge, Perry surrounded Bikel with sympathetic backing musicians including Larry Knechtel on bass and keyboards, Eric Weissberg on banjo, Jim Gordon on drums, Louie Shelton on guitar, Paul Beaver (of Beaver & Krause) on synthesizer and Sid Sharp, Donnie Gallucci and Joey Newman on strings. Together they worked to update Bikel’s sound by choosing current songs that would spotlight Bikel’s interpretive talents.

Today, the album is purely a pop period piece from the late ‘60s that features Bikel performing current hits of the day in contemporary easy listening settings of the time, as evidenced by the chamber pop arrangements on Donovan’s “Jennifer Juniper,” The Rolling Stones’ “Lady Jane,” The Beatles’ “For No One,” Joni Mitchell’s “Urge For Going” and today’s Song Of The Day, The Beatles’ “Piggies.” While the arrangements date the material, the material doesn’t sound dated at all.

Elsewhere Bikel rocks out on Cat Stevens’ “I Love My Dog” and gets positively theatrical (and a little hysterical) on Jaques Brel’s “Amsterdam.” Other songs include covers of Peter Yarrow’s (of Peter, Paul & Mary) “The Great Mandala (The Wheel Of Life),” Paul Williams’ “The Lady Is Waiting,” Bikel’s own “I Hear The Laughter” and yet a third Beatles song, “Mother Nature’s Son.” Bikel lends a theatrical touch to several of the songs by incorporating spoken word vignettes that occasionally drag the proceedings down.

Back in the late 1960s, Warner Bros. and Reprise Records release sampler albums in a series they called The Loss Leaders. They charged $2.00 for each double album and included tracks from all of the labels’ new releases. As a pre-teen kid, I first discovered groups like Frank Zappa and The Mothers Of Invention, The Fugs, Randy Newman, Jimi Hendrix, Jethro Tull, Joni Mitchell, Gordon Lightfoot, Rod McKuen, Harper’s Bizarre, The Mike Post Coalition, Petula Clark and Kenny Rogers & The First Edition through these albums.

I first came into contact with tracks from Bikel’s A New Day from the Loss Leader albums Schlaggers, which included his cover of Joni Mitchell’s “Urge For Goin’,” and The 1969 Warner/Reprise Record Show that included today’s Song Of The Day.

1969 Reprise Records RS-6348

Song Of The Day – “Savoy Truffle” by Ella Fitzgerald

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ellafitzgeraldAbout a month ago, I featured Fats Domino’s recording of “Lady Madonna” from the 1969 album Fats Is Back. That record was produced by Richard Perry for Reprise Records, and today’s Song Of the Day follows Perry to the very next project he worked on, Ella by Ella Fitzgerald.

Reprise records of the late ‘60s was an artist’s haven due in no small part to the approach label head Mo Ostin took towards nurturing his roster. As a result, the label attracted top-shelf folk and rock attractions like Neil Young, Frank Zappa, Joni Mitchell, Jimi Hendrix, Fleetwood Mac, Ry Cooder and Arlo Guthrie.

But let’s face it, Reprise was once Frank Sinatra’s label and it always had a sweet spot for its easy listening releases. Under Sinatra’s leadership, the Reprise roster featured records mostly by him and cronies like Dean Martin, Sammy Davis, Jr., Bing Crosby, Rosemary Clooney and Jo Stafford. When Sinatra sold the label in 1963 to Warner Bros., the label came under the direction of Mo Ostin.

Under Ostin’s tutelage, the label’s easy listening roster grew hipper and included releases by Theo Bikel, Petula Clark, The Vogues, Gordon Lightfoot, Rod McKuen, Randy Newman, Dion, Harper’s Bizarre, Lee Hazelwood, Tom Lehrer, Mike Post Coalition and Kenny Rogers & The First Edition.

One of the label’s early strategies was to find worthy artists who had fallen out of the spotlight, and match them up with a sympathetic producer who could give their recordings a contemporary sheen. For Ella Fitzgerald’s Reprise debut, Ostin matched her up with producer Richard Perry.

Perry booked time at Olympic Studios in London and had Ella record no less than three tunes by Smokey Robinson, including a sumptuous take on “Ooh Baby Baby,” The Temptations’ “Get Ready” and a sultry and soulful version of “The Hunter Gets Captured By The Game.”  And under Perry’s direction in choosing repertoire, she also turned in more than credible versions of songs by Randy Newman (“Yellow Man” and “I Wonder Why”), Bacharach and David (“I’ll Never Fall In Love Again”), STAX men Steve Cropper and Eddie Floyd (“Knock On Wood”) and Harry Nilsson (“Open Your Window”).

However, no late ‘60s career resuscitation could be complete without a couple of Beatle tunes thrown in for good measure, and on this album Ella sings “Got To Get You Into My Life” which had been covered by numerous artists, and George Harrison’s “Savoy Truffle,” which was covered by almost no one, making Ella’s version such a treat. Although Ella sang well throughout the album, no hits ensued and the album quickly went out of print.

For her second and last album for Reprise, Things Ain’t What They Used To Be (And You Better Believe It), Ella teamed up with arranger Gerald Wilson and producer Norman Granz to record a record with far more traditional jazz arrangements, while still offering some outstanding cover choices like “Sunny,” “Mas Que Nada,” “I Heard It Through The Grapevine,” “A Man And A Woman” and “Days Of Wine And Roses.”

Song Of The Day – “Lady Madonna” by Fats Domino

by

fatsdominoReprise Records was one of the labels to be on in the 1960s. What started out as the house that Frank Sinatra built, chock full of releases by his cronies like Dean Martin and Sammy Davis Jr., turned into Mo’s home when Sinatra sold the label to Warner Brothers in 1963, and Mo Ostin began to sign artists to the label. Ostin ran the label as a haven for artists, and under his aegis a hip cadre of musicians like Randy Newman, Joni Mitchell, The Kinks, Arlo Guthrie, Ry Cooder, Neil Young, T. Rex, Pentangle, Gram Parsons, Frank Zappa, Captain Beefheart, Gordon Lightfoot, Jimi Hendrix and many others, came on board.

Along the way, Reprise began to look into the not too distant past to revive a few careers, which brought both Little Richard and Fats Domino to the label. While neither artist delivered the hits that Reprise, no doubt had hoped for, they both cut terrific records for the label that came and went without a trace.

Richard Perry was brought on board as producer for Domino’s “Fats Is Back,” the first of his two Reprise albums. Perry surrounded Fats Domino with an all-star list of session musicians who were sympathetic to what Fats and Reprise were trying to achieve, which was to update his sound without changing too much of what made Fats a great artist. To that end, Fats was backed by King Curtis, Eric Gale, Larry Knechtel, Chuck Rainey, Hal Blaine, James Booker and Earl Palmer, with horn charts arranged by none other than Randy Newman.

Fats Is Back came out in 1968, and featured remakes of some of Domino’s own hits including “I’m Ready,” “Wait Till It Happens To You,” and “One For The Highway.” The album’s opening track is called “My Old Friends” and begins with a medley of snippets of some of Fats’ original hits, before fading into the new, up-to-date opening song that ends with the declaration that “Fats Is Back.” The album also features Fats covering the Barbara George hit “I Know” (later remade by Bonnie Raitt), a version of James Booker’s “So Swell When You’re Well,” and a couple of Beatles favorites– “Lovely Rita” and today’s Song Of The Day, “Lady Madonna” – which was Domino’s last chart hit.

It’s no surprise that Domino would take a crack at “Lady Madonna,” since Paul McCartney wrote the Beatles song in his style with an eye towards giving it to him to record.  And Fats does not disappoint with his version, and for that matter, the rest of the tracks on this essential album.