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Song Of The Day by Eric Berman – The Jukebox Series #36 – The Friends Of Distinction: “Grazing In The Grass” b/w “Going In Circles” – Collectables 45 RPM Single COL 04769 (M4/NL4)

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Song Of The Day by Eric Berman – The Jukebox Series #36 – The Friends Of Distinction: “Grazing In The Grass” b/w “Going In Circles” – Collectables 45 RPM Single COL 04769 (M4/NL4)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Some of the world’s best-loved and biggest hits have their origin in afterthought…

“Grazing In The Grass” was originally an instrumental hit recorded by South African trumpeter Hugh Masekela that topped the charts in 1968. Masekela came to record the song after purchasing a cowbell-infused novelty record in Zambia called “Mr. Bull #5.” After turning in his debut album to UNI Records which was contractually short by three minutes, the label suggested he cover the single. While in the studio, actor and singer Philemon Hou came up with a new melody which became “Grazing In The Grass.”

Masekela thought little of the song, but included it on the album anyway to fulfill his contract. When UNI executive Russ Regan decided to release it as a single, Hugh Masekela became the first South African recording act to reach number one on the pop charts. (Fun fact: The guitarist on Masekela’s version of the song was Bruce Langhorne, who was the subject of Bob Dylan’s “Mr. Tambourine Man.”)

The Friends Of Distinction were a soul group from southern California that formed in 1968 around Harry Elston, Floyd Butler, Jessica Cleaves and Barbara Jean Love. Elston and Butler were members of The Hif-Fi’s, who warmed up for Ray Charles on tour, along with Marilyn McCoo and Lamont McLemore who went on to form The 5th Dimension. The group secured a recording contract with RCA Records after joining forces with ex-Cleveland Browns running back Jim Brown who took on management of the group.

When Elston heard Masekela’s hit version of the song, he wrote lyrics to it for Friends Of Distinction to record. Their version hit #3 on the pop charts and #5 R&B. While many people believe that the song is about getting high, it’s actually about bulls grazing in the grass.

The song has been covered by Stevie Wonder, Chet Atkins, Boney James and Meco, and has been featured in many films including Anchorman: The Legend of Ron Burgundy, Jackie Brown, I Shot Andy Warhol and I’m Gonna Get You Sucka.

The flip of today’s single is The Friends’ follow-up single “Going In Circles” which was also a million seller that climbed to #3 on the R&B charts and #15 pop in 1970. The slow jam heartbreak/coming-of-age song was written by Jerry Peters and Anita Poree and has been covered by The Gap Band, Isaac Hayes (on his Black Moses album) and Luther Vandross.

The story goes that after six albums and five years of hits including “Love or Let Me Be Lonely,” “Time Waits for No One,” and “I Need You,” The Friends Of Distinction broke up somewhat acrimoniously with Elston and Butler going separate ways to work outside of the music industry.  By 1990 the legacy and influence of The Friends’ recordings had grown substantially. After not speaking to each other for many years, Elston and Butler agreed to work together again, however the reunion was short lived as Butler suffered from a heart attack and died in Elston’s arms. Elston reformed the group in 1996 with new members including Geno Henderson, Wendy Brune and Berlando Drake. They continue to tour and perform the music of The Friends Of Distinction around the world today.

Today in Rock History – September 16th

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are you experienced1967, Jimi Hendrix’s debut LP, Are You Experienced? entered the Billboard Hot 200 album chart, where it stayed for 106 weeks, including 77 weeks in the Top 40. In 2003, Rolling Stone magazine ranked it number 15 on their 500 Greatest Albums of All Time and two years later it was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.

1967, Working at Abbey Road studios in London The Beatles recorded 11 takes of “Your Mother Should Know,” giving the song a stronger beat, but this version of the song was discarded in favor of the original recording.

1969, The Allman Brothers Band appeared at Mercer University, Macon, Georgia.

1970, Led Zeppelin won “Best Group” in the Melody Maker readers Poll. This was the first time in eight years that The Beatles hadn’t won in that category.

1970, Jimi Hendrix joined Eric Burdon & War onstage to jam with them at Ronnie Scott’s Club in London which would be Hendrix’s final public appearance.

1971, During a North American tour Led Zeppelin played the first of two nights at Honolulu Civic Auditorium. Tickets cost $5.00. The Honolulu Star Bulletin wrote, “The real irony of Led Zeppelin’s two hour performance last night was that they played their own review in their last number, “Communication Breakdown.” The show itself was marred by a generally sloppy performance on the part of the group, rather noisy behavior on the part of some of the 4,000 people in attendance, and a hot and sweaty atmosphere on the part of the good old poorly ventilated Civic Auditorium. The music was limp and uneven during all but a small part of the evening.”

1972, Rod Stewart had his second UK No.1 album with Never A Dull Moment.

1972, The Grateful Dead performed at the Music Hall in Boston, Massachusetts.

1972, Three Dog Night scored their third No.1 single with “Black and White.”

1972, Wishbone Ash, Family, Steppenwolf, John Kay Band, Slade, Uriah Heep, Roy Wood and Wizzard, Wild Angels, Glencoe, Sunshine and Cold Comfort Farm all appeared at the Buxton Festival in Derbyshire, England.

1973, Genesis performed at Colston Hall, Bristol, England.

1974, Blue Oyster Cult played at the Paramount Theatre in Wilkes-Barre, Pennsylvania. Supporting acts were KISS and Rush.

1976, AC/DC appeared at Rhein-Ruhr-Halle, Duisburg, Germany.

Marc Bolan of T. Rex

1977, 29-year-old former T Rex singer Marc Bolan was killed instantly when the car driven by his girlfriend, Gloria Jones, left the road and hit a tree in Barnes, London. Miss Jones broke her jaw in the accident. The couple were on the way to Bolan’s home in Richmond after a night out at a Mayfair restaurant. A local man who witnessed the crash said, “When I arrived a girl was lying on the hood and a man with long dark curly hair was stretched out in the road. There was a hell of a mess.”

1978, Boston went to No.1 on the album chart with Don’t Look Back.

1978, During a UK tour Blondie played two shows at London’s Hammersmith Odeon, with guests The Boyfriends.

1979, The Sugarhill Gang’s “Rapper’s Delight” was released. While it was not the first single to feature rapping, it is generally considered to be the song that first popularized hip hop in the United States and around the world. The song’s opening lyric “I said a hip, hop, the hippie, the hippie to the hip hip hop,” is world-renowned.

1979, The Who played at Madison Square Garden in New York.

1980, Van Halen appeared at McKale Memorial Center, Tucson, Arizona.

1981, The Kinks performed at Pine Knob Music Theatre, Clarkston, Michigan.

1989, U2 jammed with B.B. King on a boat rented for the blues legends 64th birthday in Sydney Harbour, Sydney, Australia.

1996, Pearl Jam played the first night on their No Code tour at the Key Arena in Seattle, Washington. Because of the band’s refusal to play in Ticketmaster’s venue areas, they were forced to use alternate ticketing companies for the shows, which fans complained were to be out-of-the-way and hard to get to.

1998, At a Sotheby’s auction a notebook belonging to former Beatles roadie Mal Evans containing the lyrics to “Hey Jude” sold for £111,500 $178,400,) a two-tone denim jacket belonging to John Lennon went for £9,200 ($14720,) and the Union Jack dress worn by Spice Girl Ginger Spice sold for £41,320 ($66,110.)

2006, Bob Dylan was at No.1 on the US album chart with Modern Times. Entering the U.S. charts at No.1, making it Dylan’s first album to reach that position since 1976’s Desire, 30 years prior. At 65, Dylan became the oldest living musician to top the Billboard albums chart. (85 year-old Tony Bennett broke this record in 2011 with his Duets album). The record also reached number one in Australia, Canada, Denmark, Ireland, New Zealand, Norway and Switzerland.

2008, Norman Whitfield died in Los Angeles, California from diabetes and other illnesses. The Motown songwriter and producer collaborated with Barrett Strong on such hits as “I Heard It through the Grapevine,” “Ain’t Too Proud to Beg,” “(I Know) I’m Losing You,” “Cloud Nine,” “War,” “Papa Was a Rolling Stone,” and “Car Wash.”

2009, Mary Travers from Folk trio Peter, Paul And Mary, passed away after suffering from leukemia for several years. She was 72.

2013, A souvenir booklet from the 1967 Monterey Pop Festival signed by Jimi Hendrix fetched $6,500 (£4060) on eBay. The artifact also included autographs from three members of the Mamas and Papas.

Born on this day: B.B. King (1925); Joe Butler, The Lovin Spoonful (1941);  Kenny Jones, Small Faces,  The Who (1941); Bernie Calvert, bass, The Hollies (1942); David Bellamy, Bellamy Brothers (1950); Ron Blair, Tom Petty and the Heartbreakers (1952); Richard Marx, singer, songwriter (1963); and Tramar Lacel Dillard, aka Flo Rida (1979)

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Today in Rock History – September 13

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Beatles-Yesterday1965, The Paul McCartney song “Yesterday” was released as a Beatles single.

1967, The Beatles formed an electronics company called Fiftyshapes, Ltd. appointing John Alexis Mardas (Magic Alex) to be the company’s director. Alex claimed he could build a 72-track tape machine, instead of the 4-track at Abbey Road (this never materialized). One of his more outrageous plans was to replace the acoustic baffles around Ringo Starr’s drums with an invisible sonic force field. George Harrison later said that employing Mardas was “the biggest disaster of all time.”

1968, Procol Harum performed at the Grande Ballroom in Detroit, Michigan.

1968, Pink Floyd played at Mothers, Erdington, Birmingham, England.

1968, During a North American tour The Jimi Hendrix Experience appeared at the Oakland Coliseum, Oakland, California.

1969, This was the first day of the three-day Rugby Bag Blues Festival in Warwickshire, England with Pink Floyd, The Nice, Taste, Free, Third Ear Band, Ralph McTell, Roy Harper, King Crimson, The Strawbs, Edgar Broughton, Spirit of John Morganand John Martyn.

1969, John and Yoko flew to Canada with the Plastic Ono Band to perform at the Rock & Roll Revival Show in Toronto, Canada. The band members Eric Clapton, Klaus Voormann and drummer Alan White were put together so late that they had to rehearse on the plane from England. Also making an appearance at the concert were Chuck Berry, Gene Vincent, Bo Diddley, The Doors, Chicago, and Alice Cooper. Lennon later released his performance as the Live Peace in Toronto 1969 album.

1970, The Who performed at Stadthalle, Offenbach, Germany.

1972, Pink Floyd appeared at Henry Levitt Arena in Wichita, Kansas, during their North American tour. The set included “Dark Side of the Moon,” which would not be officially released until 1973.

1973, The Rolling Stones played at City Hall, Newcastle Upon Tyne, England.

bowie_dd1974, David Bowie’s “Diamond Dogs” tour stops at the Convention Center in Tuscon, Arizona.  His band includes: Mike Garson on piano and mellotron, Carlos Alomar, guitar, Earl Slick, lead guitar, Doug Raunch, bass, Greg Enrico, drums, Pablo Rosario, percussion, David Sanborn, alto sax, flute, Richard Grando, baritone sax, flute, Michael Kamen, electric piano, moog, and oboe, plus backing vocalists.

1975, The Allman Brothers Band appeared at Roosevelt Stadium, Jersey City, New Jersey.

1976, Electric Light Orchestra played at Pine Knob Music Theatre, Clarkston, Michigan.

1977, Rush performed at the Pacific Coliseum, Vancouver, Canada.

1978, The Grateful Dead performed a 33-minute soundcheck at the Gizah Sound and Light Theatre, in Cairo, Egypt.  The instrumental Ollin Arrageed type jams, in advance of their three night engagement at the Giza plateau, took place at the footsteps of the great pyramids of Egypt.

1980, Jackson Browne scored his only chart topping album with Hold Out.

1984, U2 played the first of five nights at the Sports And Entertainment in Melbourne, Australia during their Unforgettable Fire world tour.

1985, “We Are The World” won Best Group Video and the Viewer’s Choice at the MTV Video Music Awards in New York. Don Henley’s “The Boys Of Summer” video won four trophies, including Best Video. Bruce Springsteen’s “I’m On Fire” takes the prize for Best Male Video and Tina Turner won Best Female Video for “What’s Love Got To Do With It.”

1986, Berlin went to number one on the US singles chart with the Giorgio Moroder written and produced “Take My Breath Away.” On the B-side was The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin.” Both songs were featured in the film Top Gun.

1986, The Communards were at number one on the UK singles chart with “Don’t Leave Me This Way,” which had been a hit for Harold Melvin & the Blue Notes in 1975, and later a hit for Thelma Houston.

1991, Geffen Records threw a party to launch Nirvana’s single “Smells Like Teen Spirit.” The band ended up being thrown out of their own party after starting a food fight.

1996, American rapper Tupac Amaru Shakur died after being shot six days earlier when he was driving through Las Vegas. 13 bullets were fired into his BMW. The incident was blamed on East and West Coast Gang wars. Shakur was a convicted sex offender, guilty of sexual abuse. After serving eleven months of his sentence he was released from prison on an appeal financed by Marion “Suge” Knight, the CEO of Death Row Records.

1997, The Verve scored their first and only UK number one single with “The Drugs Don’t Work,” taken from their third album, Urban Hymns. The track became the band’s most successful single in the United Kingdom.

2005, The home where Jimi Hendrix grew up in Seattle was saved from demolition after a new location was agreed at the last minute. The James Marshall Hendrix Foundation and the City of Seattle agreed to renovate the building into a community center opposite the cemetery where the guitarist was buried in 1970.

Born on this day:  Dave Quincy, Manfred Mann’s Earth Band (1939); David Clayton-Thomas, Blood Sweat & Tears (1941); Peter Cetera, Chicago  (1944);  Steve Gaines, Lynyrd Skynyrd (1949); Randy Jones, Village People (1952); Steven John Kilbey,  singer, bass The Church (1954); Stephen Perkins, Jane’s Addiction, Porno For Pyros (1967); Joe Rooney, guitarist, Rascal Flatts (1975)

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Song Of The Day by Eric Berman – The Jukebox Series #31 – The Isley Brothers: “That Lady (Part 1)” b/w “That Lady (Part 2)” – T-Neck 45 RPM Single 2251 (A4/B4)

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Song Of The Day by Eric Berman – The Jukebox Series #31 – The Isley Brothers: “That Lady (Part 1)” b/w “That Lady (Part 2)” – T-Neck 45 RPM Single 2251 (A4/B4)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

From gossamer to “grit-tay”…the other day I featured a satiny-smooth jukebox classic by Smokey Robinson and the Miracles…today we’re going gritty with this funky 1973 track by The Isley Brothers.

They were one of the longest running R&B groups of all time forming in Cincinnati, Ohio in 1959 and recording and touring together in some form through 2010.

The Isley’s were responsible for such indelible hits as “Shout,” “Twist And Shout,” “This Old Heart Of Mine (Is Weak For You),” “Black Berries,” “It’s Your Thing,” “Pop That Thang,” “Love The One You’re With,” “Summer Breeze,” “Fight The Power,” “Harvest For The World,” plus many others. Today’s Song Of The Day comes from their 1973 album called 3+3.

The album’s title alludes to the fact that the three original members of the group, Ronald, Rudolph and O’Kelly Isley, made their brother-in-law Chris Jasper and brothers Ernie and Marvin Isley, the other 3, full time members of the group.

The album became their first platinum album, selling over one million copies. Along with “That Lady,” two other tracks from the album made waves on the R&B charts including their cover of Seals & Crofts’ “Summer Breeze” (#10 R&B) and “What It Comes Down To” (#5 R&B). The group also covered Jonathan Edwards’ hit “Sunshine” and James Taylor’s “Don’t Let Me Be Lonely Tonight” for the album.

Today’s Song Of the Day was originally recorded back in 1964 by The Isley’s under the title “Who’s That Lady.” That version was cut at a slower tempo and was driven by a spare staccato drum pattern, a roller-rink organ part and a full-blown horn section. The group decided to record the song again after Santana covered it on their Spirits Dancing In The Flesh album.

At first, Ronald Isley was against cutting the track again, however the rest of the group convinced him that the arrangement would be much different and it would highlight the guitar work of brother Ernie. Ernie’s guitar playing was informed by the Isley Brothers’ association with Jimi Hendrix who played with the group in 1964. Hendrix can be heard on the group’s “Testify” and “Move On Over And Let Me Dance” singles. The song became their first top-ten hit since 1969’s “It’s Your Thing,” climbing to #2 on both the Pop and R&B charts. Brother Ernie’s guitar solo was later sampled by The Beastie Boys on the track “B-Boy Bouillabaisse” from Paul’s Boutique.

Another distinction about today’s jukebox classic is that it is one in a long line of two-part singles. When 45 RPM singles ruled, it was customary to break longer tracks into two parts for the single release. The Isley Brothers were no stranger to the two-part single, and as far back as 1959, “Shout” was released as a two-parter.  Many of James Brown’s singles were released in the two-part format including “Say It Loud (I’m Black And I’m Proud,)” “Get Up I Feel Like Being A Sex Machine,” and “Papa’s Got A Brand New Bag.” Other notable two-part singles include Joey Dee’s “The Peppermint Twist,” Fleetwood Mac’s “Oh Well,” Creedence Clearwater Revival’s “Suzie Q,” Don McLean’s “American Pie,” Eddie Kendricks’ “Keep On Truckin’,” George McCrae’s “Rock Your Baby,” Rick James’ “Super Freak,” Kurtis Blow’s “The Breaks” and Bob Dylan’s “Hurricane.” What other two-part singles can you think of?

Song Of The Day by Eric Berman – The Jukebox Series #28 – Average White Band: “Pick Up The Pieces” b/w “Work To Do” – Atlantic 45 RPM Single 45-3229 (Q3/R3)

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Song Of The Day by Eric Berman – The Jukebox Series #28 – Average White Band: “Pick Up The Pieces” b/w “Work To Do” – Atlantic 45 RPM Single 45-3229 (Q3/R3)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

“TSOP” by MFSB, “Love’s Theme” by The Love Unlimited Orchestra, “Space Race” by Billy Preston, “Frankenstein” by Edgar Winter Group, “Popcorn” by Hot Butter,” “Joy” by Apollo 100, “Rock And Roll” by Gary Glitter, “Dueling Banjos” by Eric Weissberg & Deliverance, “Hocus Pocus” by Focus, “The Hustle” by Van McCoy, “Soul Makossa” by Manu Dibango, “Feels So Good” by Chuck Mangione, “Scorpio” by Dennis Coffey and “Tubular Bells” by Mike Oldfield – the 1970s had its share of some of the greatest instrumental hits of all time.  While many of these tracks are truly not instrumentals because they either have wordless singing or minor vocal parts consisting of the title being shouted out several times over the duration of the song, they are still rightly classified as instrumental hits.

Today’s jukebox classic stands taller than most on the above list of ‘70s instrumentals. With its propulsive disco beat and infectious horn part, “Pick Up The Pieces” managed to set throngs of dancers into motion on disco dance floors around the world.

But it wasn’t always that way…When “Pick Up The Pieces” was originally released as a single in the U.K. in 1974; it sank without a trace, completely failing to chart. Three months later, the single came out in the U.S. where it sold a million copies and climbed to the top of the charts. It was then rereleased as a single in the U.K. and it rose to the top five. Not to dis our friends across the pond, but what were they thinking the first time around…

The song crossed over into the disco charts and also spawned an answer record recorded by James Brown’s backing band The J.B.s, called “One By One.” On the record, the J.B.s were credited as AABB, or the Above Average Black Band in homage to AWB. It was also sampled by the likes of The Beastie Boys, TLC, Too Short, Ice Cube, Eric B. & Rakim, Nas, Arrested Development and A Tribe Called Quest.

The Average White Band originated in Scotland in 1971 and consisted of Allan Gorrie (bass, guitar and vocals), Malcolm Duncan (tenor sax), Onnie McIntyre (vocals, rhythm guitar), Michael Rosen (trumpet), Roger Ball (keyboards and sax) and Robbie McIntosh (drums) and Hamsih Stuart (guitar, bass and vocals).

Even though one of the group’s earliest gigs was as a support act to Eric Clapton’s Rainbow Concert in 1973, when their debut album Show Your Hand was released on MCA Records the same year, it sold poorly. For their second album, the group relocated to Los Angeles and signed with Atlantic Records.

The album, titled AWB was produced by Arif Mardin and ultimately topped the U.S. album charts on the heels of its chart-topping single. It was also known to AWB fans as The White Album as it featured stunning graphics on a white background that gave the band its memorable logo.

At the height of their initial fame, tragedy struck when drummer and founding member Robbie McIntosh died of a heroin overdose at a party in 1974. Allan Gorrie also overdosed at the same party, but Cher kept him conscious until medics arrived and he survived. Such was the “swinging” party scene of mid-70s Los Angeles. As a result, McIntosh was replaced by Steve Ferrone.

The band continued to release albums well into the 1980s (including a duo album with Ben E. King on vocals), and scored several hit singles including “Cut The Cake” (#31/1974), “Queen Of My Soul” (#23/1976) and “Let’s Go Round Again” (#12/1980). By the early 1980s, Ferrone left the group to work with Duran Duran, while Hamish Stuart went on to tour and record with Paul McCartney.

The group still exists today with McIntyre and Gorrie still on board. Their last album was a live album called Times Squared, released in 2009. The flip of today’s single is an exceptional cover of The Isley Brothers’ top twenty R&B hit “Work To Do,” which was also covered by The Main Ingredient and Vanessa Williams.

Song Of The Day – “Evil Ways” by Santana from “Woodstock”

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SantanaThis week we are celebrating the 44th anniversary of “An Aquarian Exposition: 3 Days of Peace & Music” which took place August 15-18th 1969 on Max Yasgur’s farm in Bethel, N.Y. Of course, everyone knows the festival by its more common name, Woodstock..

While most people are familiar with Santana’s blazing performance of “Soul Sacrifice” that single handedly established the group to the American public and appeared in the movie, most people have never seen anything else from the group’s afternoon set on 8/16/69.

At the time, not only were the band unknown out of their native San Francisco, but so was this Tito Puente standard. The song wouldn’t become popular for many months, after the group released the studio version as a single and took it to the upper echelon of the charts. It’s amazing to watch Carlos Santana catch fire in front of the biggest audience he had ever played to at that point…especially since he has said that he was tripping his face off on acid.

Santana’s appearance was part of a barter deal made by manager Bill Graham – if Woodstock wanted Graham’s premium acts Jefferson Airplane and Grateful Dead, they would have to take Santana and give them a good slot in the festival.

Obviously, Graham already knew what the Woodstock Nation was soon to find out…that they were to be treated to a career-making performance for the ages!

Song Of The Day by Eric Berman – The Jukebox Series #13 – Stevie Wonder: “Superstition” b/w “Superwoman (Where Were You When I Needed You)” – Motown 45 RPM Single Y559F (E2/F2)

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Song Of The Day by Eric Berman – The Jukebox Series #13 – Stevie Wonder: “Superstition” b/w “Superwoman (Where Were You When I Needed You)” – Motown 45 RPM Single Y559F (E2/F2)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

The A-Side of today’s double A-sided jukebox single was the lead single from Stevie Wonder’s landmark album Talking Book. Jeff Beck guested on the album playing guitar on the song “Looking For Another Pure Love.” While in the studio, Beck came up with the drum pattern that kicks “Superstition” into motion. From there, Wonder added the funky clavinet riff that runs through the song and a classic was born. After Wonder wrote the song, he offered it to Beck to record.

In the meantime, Motown chief Berry Gordy heard Wonder’s version and immediately knew it was a surefire smash and pressured Wonder to release it as a single before Beck could commit his version to tape. “Superstition” went on to become Wonder’s second chart-topping hit, his first since “Fingertips” hit the top of the charts in 1963. Jeff Beck was given the song “Because We’ve Ended As Lovers” as a consolation prize which he recorded for his 1975 album Blow By Blow. Beck later recorded Wonder’s “Superstition” with his group Beck, Bogart & Appice.

When Wonder turned 21, he renegotiated his contract with Motown Records giving him total control over his music with increased royalties and publishing. The first fruit of his negotiation was the album Music Of My Mind that included “Superwoman (Where Were You When I Needed You),” the flip side of today’s double-A sided jukebox classic.

The song was one of the first tracks that Wonder worked on with Malcolm Cecil and Robert Margouleff who invented the TONTO (The Original New Timbral Orchestra) synthesizer and recorded under the name Tonto’s Expanding Head Band. Margouleff: “Stevie showed up [at our studio] with the TONTO LP under his arm. He said, ‘I don’t believe this was all done on one instrument. Show me the instrument.’ He was always talking about seeing. So we dragged his hands all over the instrument, and he thought he’d never be able to play it. But we told him we’d get it together for him.” The duo would go on to help shape the recording of Wonder’s Talking Book, Innervisions and Fullfillingness’ First Finale albums.

Wonder is heard playing all of the instruments on the record including the TONTO, except for the electric guitar which was played by Buzz Feiten and the trumpet and saxophone played respectively by Steve Madaio and Trevor Laurence.

The song clocked in at over eight minutes in its original guise on the Music Of My Mind album and was about former Motown secretary and Wonder’s first wife Syreeta Wright. The lyric “trying to boss the bull around” is about Syreeta trying to exert some control on Wonder who is a Taurus.

The first part of the song talks about “Mary’s” desire to leave her current life behind to chase the goal of stardom. The song’s second “Where Were You When I Needed You” part finds the song’s narrator wondering when she will be coming back and why it is taking so long. Musically, the second part of the song was a re-working of Wonder’s 1971 single “Never Dreamed You’d Leave In Summer” from his Where I’m Coming From album. The song was released as a single and climbed to the #33 slot on the pop charts. Indeed, Wonder’s marriage to Syreeta broke up soon after he completed work on Music Of My Mind.”

Both songs on today’s Jukebox classic double A-sided single were originally issued as separate singles, each with a different B-side. The original B-side to “Superstition” was “You’ve Got It Bad Girl” and the original “Superwoman” B-side was “I Love Every Little Thing About You.”

The clip of “Superstition” accompanying this piece is an alternate live in-studio performance of the track with a full backing band.

Song Of The Day by Eric Berman – The Jukebox Series #8 – Luther Ingram: “If Loving You Is Wrong (I Don’t Want To Be Right)” b/w Hot Butter: “Popcorn” – Collectables Records Double A-Sided 45 RPM Single COL-3170 (O1/P1)

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Song Of The Day by Eric Berman – The Jukebox Series #8 – Luther Ingram: “If Loving You Is Wrong (I Don’t Want To Be Right)” b/w Hot Butter: “Popcorn” – Collectables Records Double A-Sided 45 RPM Single COL-3170 (O1/P1)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

Today’s classic comes from a double A-sided reissue single on the Collectables record label released specifically for jukeboxes featuring two big hits by two different artists. Most of the records in the juke are original pressings, however this was the only copy of Ingram’s soul classic I could find at the time I was looking, plus having two hit singles by two different artists on one record is indeed a bonus.

The A-Side of today’s double-sided single is Luther Ingram’s infidelity ballad “If Loving You Is Wrong (I Don’t Want To Be Right),” which is one of the greatest soul singles of all time! The song was written by STAX songwriters Homer Banks, Carl Hampton and Raymond Jackson. Banks also wrote the Sam And Dave classic “I Can’t Stand Up For Falling Down,” and billed as “We Three” with Raymond Jackson and Bettye Crutcher, wrote Johnnie Taylor’s “Who’s Making Love” and The Staple Singers’ “If You’re Ready (Come Go With Me).”

“If Loving You Is Wrong” was originally recorded in 1970 by The Emotions with an up-tempo arrangement that didn’t serve the song well. As a result, the record was left on the shelves of STAX records unreleased. Luther Ingram moved to Memphis after several failed attempts at a recording career in New York City and signed a recording contract with the KoKo label which was distributed by STAX Records. With the label, he found success scoring the top-ten R&B hit “Ain’t That Loving You (For More Reasons Than One)” in 1970.

While at STAX, Ingram discovered The Emotions’ version of “If Loving You Is Wrong” and rearranged and recorded the song as a mournful ballad. His version topped the R&B charts and rose to the number 3 position on the pop charts in 1972, selling over four million copies.

The song has been covered by a plethora of artists including Isaac Hayes, Rod Stewart, Percy Sledge, Bobby “Blue” Bland, Ramsey Lewis and Cassandra Wilson. Millie Jackson’s 1974 chart version of the song was expanded into an eleven minute suite complete with a spoken “rap” which was nominated for two Grammy Awards. Barbara Mandrell also scored a country hit with her rendition of the song in 1978.

If all Ingram did in music was to give us this signature recording, his stature would be sealed as an R& B great, however Ingram was also the co-writer(with Mark Rice) of The Staple Singers’ empowerment anthem “Respect Yourself.”

The flip of this double A-sided single is “Popcorn” by Hot Butter. “Popcorn” was a bubbly electronic confection composed by German musician Gershon Kingsley who was known for his work composing classical and Broadway music, and writing TV commercial jingles. Kingsley recorded the influential electronic album The In Sound from Way Out! with Jean-Jaques Perrey for Vanguard Records in 1966. The album promoted the use of synthesizers in pop music years before German recording artists Can and Kraftwerk.

Kingsley first recorded “Popcorn” for his 1969 album Music To Moog By, and then recorded the song again in 1971 with his First Moog Quartet. Stan Free was a member of The First Moog Quartet and re-recorded the song in 1972 under the name Hot Butter.

Hot Butter’s record came out during the moog craze of the early 1970s that saw classical records by the likes of Walter/Wendy Carlos (Switched On Bach) and Isao Tomita (Snowflakes Are Dancing) cross over to the pop charts and sell millions of copies.  Hot Butter’s recording was one of the first all-electronic records to chart on the Billboard Hot Singles Chart, peaking at #9 pop and #4 on the adult contemporary charts.

The song was not named for popcorn that you eat; rather it was an amalgam of “pop” for pop music and “corn” for the kitsch and novelty of the recording. It has been covered by the likes of Herb Alpert & The Tijuana Brass, Jean Michel Jarre, Arthur Fiedler & The Boston Pops, James Last, Norrie Paramour, Ronnie Aldrich and The Muppets.

Kingsley also wrote the music used by Disney theme parks for its Main Street Electrical Parade and the theme from the TV game show The Joker’s Wild.

Song Of The Day – The Jukebox Series #6 – Rufus – “Tell Me Something Good” b/w “Smokin’ Room” – ABC Records 45 ABC-11427 1974 (K1/L1)

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Song Of The Day by Eric Berman – The Jukebox Series #6 – Rufus  – “Tell Me Something Good” b/w “Smokin’ Room”  – ABC Records 45 ABC-11427 1974 (K1/L1)

“The Jukebox Series” focuses on the 80 records that inhabit my 1963 Seeburg LPC1 jukebox. I’ve had my jukebox (or as I like to call it “the prehistoric iPod”) for a little over twelve years and in that time I’d like to think that I’ve perfected the mix of 45s within.

In taking stock of the records that inhabit my jukebox for The Jukebox Series, I’ve come to learn something about myself that I’d like to share. I find it somewhat amusing that there are no records newer than the 1970s included, and with the exception of a few 1950s nuggets, nothing earlier than the 1960s. This leads me to believe that I either find myself in a state of musical developmental retardation, or that every record I’ve chosen for the jukebox is geared to make me feel nostalgic for the years when I was in middle and high school.

This really shouldn’t be such a surprise because when you think about it, the music that we consider OUR music typically harks back to those golden teenage days when we were in public school. It doesn’t matter that those years for some (me included) were the most dreadful years of my life. We still look back on them with rose colored glasses verifying the idea that nostalgia truly is the past with the pain removed, and the musical comfort food that inhabits my jukebox really points this out.

Today’s Song Of The Day was Chaka Khan’s breakout hit as a member of Rufus. Rufus evolved out of the ashes of Chicago group, The American Breed who scored a hit with “Bend Me Shape Me” in the late 1960s. After the American Breed disbanded several members formed a band called Smoke who added vocalist Paulette Williams to the lineup. That group later became Ask Rufus named after a column in the magazine Popular Mechanics. After several more lineup shifts, Ron Stockert was added to the group as vocalist and artistic director and Williams left, recommending her friend Chaka Khan as her replacement.

During the early days of Rufus (shortened from Ask Rufus), Khan was considered one of two co-lead vocalists sharing vocals duties with Ron Stockert. However, when the songs featuring Khan’s lead vocals began to get attention, she became the focal point of the group leading to Stockert’s departure during the recording of their 1974 album Rags To Rufus.

At this point, the group consisted of Chaka Khan on lead and background vocals, Dennis Belfield on bass and background vocals, André Fischer on drums and percussion, Kevin Murphy on organ and clavinette, Al Ciner on guitar, Ron Stockert on vocals and keyboards, Tony Maiden (uncredited) on guitar and talk box and Nate Morgan (uncredited) on keyboards.

The Rags To Rufus album was the group’s last album credited to Rufus, after this they would be forever known as Rufus featuring Chaka Khan. The album also included the huge hit “You Got The Love” (#10 pop/#1 R&B) written by Ray Parker Jr. and Khan, and on the strength of its two singles, the album sold well over one million copies earning a platinum certification.

Today’s Song Of The Day was written by Stevie Wonder and climbed to the #3 position on the pop and R&B charts in 1974. Wonder is said to have recorded a version of the song, but it remains unreleased. “Tell Me Something Good” was one of several songs that Wonder wrote and gave away to female vocalists around this time. Two others notable examples are Aretha Franklin’s “Until You Come Back To Me (That’s What I’m Gonna Do)” (#1 R&B/#3 Pop) and the title track to Minnie Riperton’s chart-topping album Perfect Angel.

Wonder liked the way Chaka Khan sang his song “Maybe Your Baby” on Rufus’ self-titled debut album and decided to give the group another one of his songs to record. As Khan tells it, “Tell Me Something Good” was not the first song that Wonder brought to the band. Wonder came by the studio and played a song called “Come And Get This Stuff,” but Kahn told Wonder that she didn’t like the song. After learning Khan’s astrological sign, Wonder then gave Rufus “Tell Me Something Good” to record and also helped in the studio with the arrangement,  going as far as to coach Khan in the way he wanted her to sing it. The single would go on to with the 1975 Grammy Award for Best R&B Performance by a Duo or Group with Vocals. (Note: Wonder’s “Come And Get This Stuff” would later turn up on his ex-wife’s album Stevie Wonder Presents Syreeta.)

“Tell Me Something Good” also features an early example of the use of a talk box during the chorus. The talk box was played through a guitar by Tony Maiden and was also made famous by Joe Walsh on his track “Rocky Mountain Way” and by Peter Frampton on “Show Me The Way” and “Do You Feel Like I Do.” The sultry B-side of “Tell Me Something Good” was “Smokin’ Room,” an album cut also culled from Rags To Rufus.

Song Of The Day by Eric Berman – “Fight The Power” by Public Enemy

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Song Of The Day by Eric Berman – “Fight The Power” by Public Enemy

This track is ground zero in all of hip hop and perhaps the most in your face rap single of all time! While Public Enemy are no doubt the most influential rap group of all time, they were also the most innovative with their sampling and dynamic backing tracks provided by brothers Hank and Keith Shocklee, also known as The Bomb Squad.

The Shocklee brothers had their own mobile DJ business called Spectrum City DJs who also counted Professor Griff amongst its employees. Carlton Ridenhour, also known as Chuck D, was an aspiring graphic designer who offered to design some posters for the Spectrum City crew while he was a radio DJ at WBAU, the Adelphi College radio station. At one point, he also told them he could emcee, and along with another WBAU regular, Flavor Flav (William Drayton Jr.), and local DJ, Terminator X (Norman Rogers), Public Enemy was born.

Right from the start, PE’s sound was a mix of the serious brought out by Chuck D’s politically charged topical messages cooled off by the somewhat slacker presence of D’s amiable sidekick Flavor Flav, all supported by the hyper-charged backing tracks of The Bomb Squad.

It was through WBAU program director Bill Stephney that they came to the attention of producer Rick Rubin who signed them to his Def Jam record label and released their first album Yo! Bum Rush The Show in 1987. The group followed that record with the earth shattering It Takes A Nation Of Millions To Hold Us Back, which was the first rap album to top the Village Voice’s Pazz and Jop Poll in 1988.

This song comes from their no less essential third release Fear Of A Black Planet from 1990 and it later turned up as the centerpiece of the “Spike Lee joint” Do The Right Thing. Other singles on this album included “Welcome To The Terrordome” and “911 Is A Joke” in which, Flavor Flav and company take on the response times of 911 in black neighborhoods.