Today in Rock History – March 27th

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1966, The Who appeared at the Central Pier, Morecambe, Lancashire. 1967, Fats Domino played his first ever UK date at London’s Saville Theatre, supported by The Bee Gees and Gerry And The Pacemakers. 1967, John Lennon and Paul McCartney were awarded the prestigious Ivor Novello award for ‘Michelle’, the most performed song in the UK [...]

Song Of The Day by Eric Berman – “Bacchanal” by Gabor Szabo

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Yesterday, I wrote about the Lena Horne/Gabor Szabo album Lena & Gabor. In doing so, I listened to that album, plus records by Lena Horne and Gabor Szabo while researching the piece.  As a result, I decided to feature one of Szabo’s great albums today, and to reuse some of the information that I used [...]

Song Of The Day by Eric Berman – “Someday Baby” by Merle Saunders, Jerry Garcia, John Kahn & Bill Vitt

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Last week I posted a deservedly less than positive Song Of The Day critiquing the music from the Dead’s 18-CD “Spring 1990” box set…and I heard plenty about my comments from lots of my Deadhead friends. So, I thought I’d make it up to them with some pre-Jerry Garcia Band, JGB from the Keystone in [...]

Song Of The Day by Eric Berman – “Loser” by Grateful Dead

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The latest mammoth box from the Grateful Dead archives is “Spring 1990” featuring 18 discs spanning six full shows between March and April 1990. If you believe the powers that be at Dead.net, the Spring 1990 tour was “consistently great, where every show is excellent, not a dud in the bunch.” Now I saw my [...]

Today in Rock History – August 9th

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1967, The Small Faces entered the singles chart with ‘Itchycoo Park’, the single peaked at No.3. 1968, After the other Beatles had gone home for the evening (2.00 am), Paul McCartney stayed behind and recorded ‘Mother Nature’s Son’, taping 25 takes at Abbey Road studios. The song was included on the ‘White Album.’ 1968, James [...]

Song Of The Day by Eric Berman – “Row Jimmy” by Grateful Dead

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While most Deadheads would agree that 1972 was a key year for the band due to the amount of then-new material added to the mix now considered standards, as evidenced on last year’s essential “Complete Europe ’72″ mammoth box set release. I too agree, but I really love the 1973-74 shows and the tracks from [...]